SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Achieving the right balance between quality, size, practicality and price is no easy task, but HHB have hit the nail squarely on the head with their Circle 3 Active monitors.
Nice 4-band equalisers are not uncommon, but this one includes dynamic filtering and equalisation in a bid to lift it above the competition. Hugh Robjohns finds out what 'expounding' can do for your mixes.
Roland have moved into the active monitor market with a product which offers digital inputs and a 'Speaker Modelling Function' courtesy of their V-series recorders and mixers. Technology overkill or a studio necessity? Hugh Robjohns finds out...
There aren't many British mic companies, but one — Hebden Sound — offer a complete range of hand-built capacitor mics, sourced entirely from British components.
Apogee have a long association with state-of-the-art digital converters. Hugh Robjohns investigates two of their latest 'affordable' models, the fully equipped PSX100 A-D and D-A converter and its simpler derivative, the Rosetta A-D.
Last month, Hugh Robjohns described the planning and setting up he undertook in preparation for recording the choir of Cheltenham College. This month, he turns his attention to the recording itself — and the problems of moving between two venues in one day.
As the car ad says, "size matters!" and AVI have proved the point with their biggest loudspeakers yet, the Gravitrons. AVI say they're built 'without compromise' and 'regardless of cost'. Hugh Robjohns will see about that...
Gareth Cousins talks to Hugh Robjohns about the craft of recording music for film, and his work on the recent British blockbuster Notting Hill.