Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Developing their TB1 nearfield into a floor-standing loudspeaker, PMC have come up with a full-range monitor which nicely balances studio performance with the cosmetics of quality domestic hi-fi.
TC Electronic have an enviable reputation for their high-quality digital effects processors, and have now launched the first of a new line of budget-conscious units. Hugh Robjohns checks out the M One.
Millennia Music and Media Systems manufacture high-end signal processors with the usual feature of dual circuit paths — solid-state FET and valve topologies running separately, side by side. Hugh Robjohns checks out the company's opto-compressor.
Psychoacoustic enhancers are a frequent topic of enquiry here at the SOS office. Hugh Robjohns provides the answers to some of the most common questions.
Roland's entry into the market for mid-priced digital mixers introduces some interesting innovations, including the separation of the control surface from the inputs and the processing rack. Hugh Robjohns puts it to the test.
One of the most exciting developments in sound processing technology this year was the announcement from Sony of a dedicated reverb unit which applied ambience 'sampled' from real acoustic spaces. Now the theory is reality. Hugh Robjohns gets his hands on the DRE S777.
Achieving the right balance between quality, size, practicality and price is no easy task, but HHB have hit the nail squarely on the head with their Circle 3 Active monitors.
Of the technical queries received at Sound On Sound, many fall into the 'hardy perenial' category. One common source of these patchbays and their role in the project studio. Hugh Robjohns provides some answers...