SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
In a world brimming over with multi-effects units, will TC Electronic's new FireworX cause sparks to fly amongst the competition? Hugh Robjohns lights the blue touch-paper...
Tascam have long been one of the big guns in the mid-range recording mixer market. Now they enter the digital mixer arena with a desk aimed at music and post-production work. Hugh Robjohns runs his digits all over it.
Digital recording systems have been in everyday use now for nearly 20 years, and such systems have become affordable to the project studio owner within the last decade. But what actually is digital recording, how does it work, and are the claims made about its sonic perfection justified? In the first of this new 6-part series, Hugh Robjohns revisits the technology and techniques involved.
Beyerdynamic have become the first mainstream manufacturer to offer the audio industry a practical digital microphone. Hugh Robjohns investigates the MCD100 to see if it represents the future of recording technology.
Throughout the years, Tannoy have determindly supported their dual-concentric driver concept in the fierce cut and thrust of the monitor marketplace, and the 600A is their latest mid-priced champion. Hugh Robjohns enters the fray...
The S100 offers half the innards of Digitech's Studio Quad, but sells for half the Quad's price. Hugh Robjohns finds out whether it does everything by halves...
The Vac Rac modular valve processor is built like a tank and has the colour-scheme of a battleship — but what can it do for your sound? Hugh Robjohns investigates the marriage of over-the-top engineering and traditional tube technology.
It started in 88, dropped to 38, now rises to 98... no, it's not the chart performance of the new Spice Girls album, but Tascam's rather strange way of numbering the models in their respected DA series of digital multitrack recorders. Hugh Robjohns checks out the new flagship in the range.
Tyneside-based DACS have been building high-quality equipment for people on a one-off basis for years, but now they've launched a range of equipment that anyone can buy. Hugh Robjohns explains why he'd rather buy British.