Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
I am trying out an ART Voice Channel, which has some interesting features, one of which is a dial to vary the microphone impedance continuously from 3kΩ down to 120Ω. So I have been testing this with a bunch of dynamic and capacitor mics...
An image in Genelec’s GLM manual suggests placing a subwoofer in a position to send the direct sound waves right through the underside of the mixing desk. Is it perhaps not an obstruction issue because the sub‑80Hz frequencies aren’t so directional?
Suffering from mysterious hums and buzzes in your studio? This down‑to‑earth explanation will help you identify and solve the problems — or hopefully avoid them in the first place!
In celebration of the 75th anniversary of the AES, President Bruce Olson talks to Hugh Robjohns about their history, their role in developing standards across the audio industry and their entrance requirements for new members.
Thomas Brett’s book offers a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music...