SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Australian company Sebatron aim to start building their brand in the UK with this 'character' preamp.
Like the venerable Yamaha NS10, this nearfield design puts accurate time-domain response at centre stage - but what does that mean for your mixes? ?????
If you want quality outboard in a compact frame, modular systems are the way to go. Find out how Audient's offering compares with the rest.
Reader Stu Evans has a smart studio but a lacklustre drum sound. Can the team breathe life into it?
The latest iteration of Tannoy's Precision 8 includes an intriguing on-board DSP room-correction system.
The classy Phoenix rises again — but this time it has been tweaked for the mastering fraternity.
Could this be the holy grail of studio acoustics — a room correction system that actually works?
This month we tackle problems that were causing a bass-heavy mix and use coat-hangers to produce better vocal recordings!
The manufacturers proudly claim that this is "the most flexible four-channel preamp in history." And it's no idle marketing boast...
Designers overcame most inherent problems with digital audio long ago, but for many of us, the experience still isn't perfect. This in-depth guide tells you why — and what you need to know to put things right...