Regular SOS contributor Mike Collins blows the trumpet for the Apple Macintosh, whilst sounding a note of caution to those musicians considering the Mac as a work platform today...
The all-digital, computer-based recording studio is no longer a distant future possibility. Thanks to digidesign's TAM buss, many of the processing capabilities of a traditional studio setup are now available as computer software plug-ins. In the first of this two-part feature, Mike Collins takes us through some of the available options.
The latest big thing in computer-based sequencing is the integration of real-world audio and MIDI data within the same program. Mike Collins puts the four leading Macintosh contenders head to head to see how they compare across a range of facilities.
Are the 16-bit capabilities of your AV Macintosh languishing unused for want of a decent (and Cheap) 16-bit sample editor? SoundEdit 16 could be your salvation. Mike Collins checks it out...
Mark of the Unicorn have taken a brand-new look at sequencing for their latest package, FreeStyle, which is aimed at entry-level users as well as musicians who would rather avoid most of the complexities of MIDI. Mike Collins checks it out.
When Europe's best known sequencer 'went audio' around two years ago, the resulting program was acclaimed as " unique and well thought out" — but times change, and cubase audio's latest version is up against some stiff competition from the likes of opcode, motu and emagic. mike collins checks out its chances...
Mark of the Unicorn's Performer has been a Mac sequencing stalwart for almost as long as the Mac platform has been used by musicians. Now faced with a growing number of competitors, it's up to version 5.0 and continues to improve in presentation and functionality, according to Mike Collins.
Born-again Vision user Mike Collins runs down the new features in the latest version of Opcode's pro Mac sequencing package, and reveals why he now believes it's the standard to beat...