SOUND ON SOUND
We follow up our comprehensive round-up of mastering limiter plug-ins for Pro Tools with a look at hot new products from three further manufacturers.
Eventide's range of high-quality Pro Tools plug-ins continues to grow, and the new Anthology II bundle collects together no fewer than 15 separate effects and processors.
When your project includes repeated MIDI or audio parts, the new Region Looping tools in Pro Tools 7 enable you to work faster and with greater flexibility.
One of the best features of TDM-based Pro Tools systems is the negligible latency, or input-to-output delay, while recording. So what is the best way to deal with this problem if you have only an LE system?
If you want to get maximum level out of your Pro Tools mixes, you need a mastering limiter. But which one? We put the leading contenders to the test.
This innovative new plug-in allows Pro Tools users to record each other over the Internet, in real time.
More and more post-production work is ending up in surround-compatible formats, such as DVD. We explain how to set up your Pro Tools system to do that work, and give some guidelines on recording and mixing in surround.
Once you have got your video and sync audio files into a Pro Tools Session, what do you do with them? Our short series on sound for picture concludes by explaining the ins and outs of dubbing, sound effects and Foley.
You've got your system set up, and you've received the video files from the director. This month we explain how to get the video and its associated sound files into a Pro Tools Session ready for you to start work.
This Pro Tools workshop is the first in a series where we will explain how to use Digidesign's DAW to work to picture. First of all, we look at the decisions you need to make in setting up your system.