SOUND ON SOUND
If you want a unique approach to hardware sequencing or a charming accessory for the bridge of your alien mothership, the Genoqs Octopus could be just what you're looking for...
Korg's tactile effects processor benefits from a major overhaul - so is the third generation the Kaoss Pad you always wanted?
In the latest addition to their successful ASB range, Creamware take on ARP's legendary Odyssey.
Pushing at the boundaries of synthesis, as ever, Dave Smith's Evolver range continues to, er, evolve...
As Roland revisit the Juno name once again, we look at whether their latest offering is a serious contender, or merely a bantamweight Fantom.
Occasionally I am lucky enough to get away from it all and make music with musicians from various countries. Earlier this year, I found myself in a villa in Italy, primed for a week of collaboration, creating sweet, improvised music with other human beings...
Controller keyboards are fitting ever more control facilities into progressively smaller units costing less and less. Is the semi-weighted Axiom 25 M-Audio's best deal yet?
The Radias is described by Korg as a synth and vocoder, but that's somewhat modest — it manages to cram analogue modelling, S&S, FM and formant synthesis into its stylish frame, plus a host of sound-shaping and triggering facilities. Plus that vocoder...
Creamware's Minimax is certainly not the first digital emulation of a Minimoog to be released — nor even Creamware's first. But it bucks the recent trend for software recreations of vintage synths — by being hardware. Can it replace the real deal?