Roland's innovative V-Synth can now be reprogrammed with a RAM card, effectively turning it into another instrument. The VC1 card turns the clock back to 1987, perfectly recreating the S&S tones of the Roland D50.
You probably know Allen & Heath as a studio mixer manufacturer, but they also specialise in high-end DJ mixing and processing. Now they have combined their studio and DJ expertise into a multi-mode analogue filter with sophisticated MIDI control.
Giving a modern instrument the same name as a line of vintage analogues that have an assured place in the synth hall of fame invites comparisons. So is the Juno-D the rightful heir to the Juno throne or more of a young pretender?
Less really is more — the 'smaller' name suggests a cut-down follow-up to 2003's Ion synth, but in fact the Micron includes most of the spec of its predecessor, and has added effects and a built-in sequencer too.
2002 saw the release of the Evolver, a quirky hybrid analogue/digital synth and sequencer from Sequential synth pioneer Dave Smith. Now he continues his renaissance with a four-voice polyphonic version that integrates neatly with the original.
Roland's original Fantom workstation wasn't really much competition for Korg's Triton, so it was no shock to see it revamped last year as the hugely improved Fantom S. But surprisingly, Roland have done it again. What's new this time around?
The Nord Modular offered a classic blend of flexible software and well-designed hardware in 1998. But can the improved G2 keep up with the soft synths of 2004?
Elektron maintain their reputation for producing unusual, innovative instruments with the bizarrely shaped Monomachine; it features six types of synthesis engine, a versatile sequencer, and effects. Is it refreshingly original, or a step too far?