Paul Tingen has been a contributor to Sound On Sound since 1990. In addition to his regular artist and producer interviews, he began writing the Inside Track: Secrets of the Mix Engineers series in January 2008.
He is also the author of a book, Miles Beyond: the Electric Explorations of Miles Davis, 1967-1991 (Billboard Books), a producer, and a guitarist with one album to his name.
The role of the mix engineer is becoming ever more creative. Jack Joseph Puig explains how his imaginative approach helped shape Fergies smash hit Big Girls Dont Cry.
When they hired Joe Chiccarelli to record their latest album, the White Stripes set him a stiff challenge: to create a modern, punchy, heavily edited sound, without leaning on modern digital tools.
For her second album, Back To Black, Amy Winehouse and producer Mark Ronson crafted a heavily retro sound. Mix engineer Tom Elmhirst describes how he massaged their '60s soul vibe to create a radio-friendly hit in 'Rehab'.
Megastar Justin Timberlake shot back into the charts last year with 'Sexyback', a hugely successful — and highly unusual — collaboration with hot-shot producer Timbaland. Jimmy Douglass was behind the desk.
Inside Track - Shakira and Wyclef Jean: 'Hips Don't Lie'
'Hips Don't Lie', by Shakira and Wyclef Jean, is indisputably the biggest single of the 21st Century so far. Engineer Serge Tsai was the man who brought together many diverse elements to create a colossal hit.
With its 150-plus tracks encompassing everything from a marching band to a children's choir, it took a special talent to craft a hard-hitting, radio-friendly mix from My Chemical Romance's 'Welcome To The Black Parade'. Enter Chris Lord-Alge...
Inside Track: Beyoncé 'Déjà Vu' and 'Irreplaceable'
Beyoncé's second solo album, B'Day, has yielded two of the biggest singles of the year. Jason Goldstein tells us how he put together hit mixes for 'Déjà Vu' and 'Irreplaceable'.