Paul Tingen has been a contributor to Sound On Sound since 1990. In addition to his regular artist and producer interviews, he began writing the Inside Track: Secrets of the Mix Engineers series in January 2008.
He is also the author of a book, Miles Beyond: the Electric Explorations of Miles Davis, 1967-1991 (Billboard Books), a producer, and a guitarist with one album to his name.
Through his work with David Guetta, Rihanna and now Katy Perry, Sandy Vee has taken the French house sound to the top of the US charts. He tells us how it's done.
Mumford & Sons have dragged acoustic music out of the folk clubs and straight to the top of the charts, with a sound sculpted by producer Markus Dravs and mix engineer Ruadhri Cushnan.
Taylor Swift has become country music's biggest mainstream star, thanks in part to a stellar production team. Producer Nathan Chapman and mixer Justin Niebank lift the lid on Swift's latest hit album, Speak Now.
Neil Young has made his share of experimental albums, but his latest might be the most extreme, thanks to Daniel Lanois' revolutionary approach to live dub mixing.
Phil Collins began recreating the classic Motown sound as a form of therapy. With the help of engineer Yvan Bing, the results gave Collins his first number one album in 17 years.
Thirty years after Led Zeppelin ended, Robert Plant has reached a second career high. His latest hit album was tracked and mixed by Mike Poole, using a mouth-watering selection of vintage equipment.
Despite self-imposed limitations, the multitrack sessions for Arcade Fire's latest album grew to epic proportions. Craig Silvey nevertheless mixed it on a vintage desk with no automation.
Eminem's Recovery has been one of the biggest hit albums of the year, spawning two number one singles — all recorded and mixed by Eminem's long-term engineer, Mike Strange.
Legendary Black Sabbath frontman Ozzy Osbourne is still rocking in his sixties. The musical powerhouse behind his latest hit album Scream is producer, engineer, songwriter and instrumentalist Kevin Churko.
Nashville heavy-hitter Paul Worley was so impressed by Lady Antebellum that he gave up his high-profile job at Warner Bros to produce them. With Clarke Schleicher at the desk, the gamble paid off in style.