Paul Tingen has been a contributor to Sound On Sound since 1990. In addition to his regular artist and producer interviews, he began writing the Inside Track: Secrets of the Mix Engineers series in January 2008.
He is also the author of a book, Miles Beyond: the Electric Explorations of Miles Davis, 1967-1991 (Billboard Books), a producer, and a guitarist with one album to his name.
For his second solo album, Steely Dan's Walter Becker made the unexpected decision to apply his band's high production values and jazzy sophistication to the world of reggae...
Some mix engineers work entirely 'in the box', while others treat Pro Tools as little more than a tape recorder. Kevin 'KD' Davis employs the best of both worlds, as his work on Ne-Yo's recent hit 'Closer' shows.
With Sara Bareilles' massive worldwide hit 'Love Song', producer Eric Rosse had to strike a delicate balance between preserving the artist's integrity and achieving mass appeal.
From humble beginnings, Diane Warren has gone on to write hundreds of hit songs. Her secrets? Hard work, good titles... and no time wasted cleaning her writing room!
'4 Minutes' by Madonna, Timbaland, Marcella Araica
Madonna's popularity shows no sign of flagging, thanks in part to her ability to seek out cutting-edge production talent. Producer and mixer Demo Castellon explains how he shaped her latest chart-topper.
OneRepublic's route to the top has been tortuous, and their massive hit 'Stop & Stare' was actually recorded more than three years ago. Engineer and mixer Joe Zook recalls the sessions.
Jack Johnson is living proof that you don't need Auto-Tune, Beat Detective or a million overdubs to record a hit album. In fact, as engineer Robert Carranza explains, he didn't even need mains electricity...
Aided by its memorable video and starring role in an iPod ad, Feist's '1234' has been a refreshingly different worldwide hit. Renaud Letang was behind the (vintage) desk during the recording and mixing sessions.