SOUND ON SOUND
The highlights of Digital Performer's latest incarnation include advanced comping tools, new plug-ins — and a revolutionary alternative to track and instrument freezing.
If you want to use both a high-quality analogue mixer and a DAW control surface, you'll probably want to put them both in the same place. Well, now you can — and you get a multi-channel audio interface to boot.
Digital Performer has retained the same basic look and feel from its introduction right up to version 5.13 — but no more. The new DP6 looks almost like a different application, and conforms much more to OS X standards, so this month we bring you the first-look guide to what's new.
DP's Memory Cycle can benefit you whatever kind of music you make. We look at how to work smart and fast with this crucial feature.
The new Virus is one of the most affordable ever and currently the cheapest way to get a slice of Access' Total Integration technology — but does cheaper mean compromised?
Art Vista's new sampled piano won't break the bank or send you running out to buy a new hard drive — and it's still a sophisticated and versatile instrument.
How do you create a four-minute masterpiece out of just a few measures? And what's the best reverb to make you sound like that drumming gorilla on the TV ad? These questions, and more, answered in this month's Digital Performer workshop...
DP's Drum Editor provides a unique environment for programming and editing MIDI data, free from the 'piano roll' - and it's not just for drums, either. We look at how to get the best from this great feature.
DP offers an excellent environment for working with the little pieces of 'ear candy', such as filtered drops, beat-mangled breaks and reversed audio phrases, that can make such an impact in pop and electronica production. We look at some of the techniques involved.
We offer a clutch of hints and tips for DP users considering adding a Focusrite Liquid Mix DSP plug-in platform to their setup.