SOUND ON SOUND
How can I produce aggressive female vocals? Mac Or Windows? How do I eliminate flanging MIDI notes? Can I use Virtual Guitarist with Logic on a Mac? Should I record at a 24-bit resolution?
Is there any benefit in optional digital converters? How can I get my MOTU FastLane to work with OMS and Cubase? Will I have problems running dual monitors on the latest Macs? Why do my final mixes always end up in mono? Is there a way to bounce mixes in Ableton Live? Can you recommend a cheap and simple PC software sampler?
Why can't I run Cubase 5.1 on Windows 95? Is there a software package that acts purely as a virtual tape recorder? What is panning law? How can I get equal monitoring levels? Do multi-client soundcards still exist? Which hard disk format is best for PC audio?
Why is phase important? What orchestral sample libraries are available for HALion? Where can I get Windows-based ASIO drivers for an Audiomedia III card? Are there really reverb and synth plug-ins supplied with Mac OS X? How can I isolate the vocals from a stereo mix?
In this final part of our series, we look at how the major project studio-oriented MIDI + Audio sequencers (DAWs) currently handle surround.
Can you tell me something about a vintage mic I've found? Why don't my synths' sounds work well together in mix? How do contact microphones work? Is there a combined soft sampler and sequencer on the market? Which soundcard should I upgrade to?
What causes soft-synth latency? What's the best thing to do when my old gear begins to wear out? What extra gear should I buy to make dance music? How can I stop my music annoying my neighbour? Can I ensure that my CDs will play on all hi-fi systems?