Comment / Opinion

Audio equipment is expensive, so it pays to keep it in good condition and forestall potential problems. Paul White provides a few tips.

Mike Senior wonders to what extent our creative decisions are really free and how much they're dictated by the studio gear we know and trust.

Jeff Mearns wonders why we still suffer from gear lust, when old, faithful, well-worn studio equipment so often produces the best results...

The music biz is a notoriously difficult one, but you might think that at least the people who get paid to work for you are on your side. Sam Inglis says it's even worse than you thought.

Samples, re-sampling, looping, cutting and pasting — is it all getting too easy? Is the phrase 'dance music' becoming an oxymoron?