Computer / Software

Mark of the Unicorn's Performer has been a Mac sequencing stalwart for almost as long as the Mac platform has been used by musicians. Now faced with a growing number of competitors, it's up to version 5.0 and continues to improve in presentation and functionality, according to Mike Collins.

Wanna delve into multimedia without breaking the bank? Tim Frost assesses this low cost multimedia authoring package for PCs.

Born-again Vision user Mike Collins runs down the new features in the latest version of Opcode's pro Mac sequencing package, and reveals why he now believes it's the standard to beat...

Steinberg's Time Bandit is a Mac software package for processing Sound Designer II files off-line, using sophisticated time stretch and pitch shift algorithms. Long-time Sound Designer II user Paul White couldn't wait to get it home...

This inexpensive program lets you add the advantages of pattern-based drum programming to your setup, without abanoning your full-blown sequencer. Brian Heywood gives it a battering...

Owners of Sound Tools II digital editing systems can now have access to sophisticated techniques for reducing noise on recordings - thanks to the DINR intelligent Noise Reduction software. Paul White loads it up and looks for a quiet life...

Roland's eagerly awaited multimedia Windows sound package competes head on with the Sound Blaster Pro and Turtle Beach sound cards well known to PC musicians. Brian Heywood finds out how the newcomer measures up.

Could something this good really be this cheap? Derek Johnson looks at a 16-track sequencer package which is perfectly priced for the beginner but provides ample room for growth.

Paul White checks out this handy desk accessory utility.

Mike Collins takes an in-depth look at Digital Performer Version 1.4/Performer Version 4.2 and the Digital Waveboard, which adds hard disk audio recording to Performer's powerful sequencer.

Steven Helstrip checks out a four-program PC package which aims to cover all the MIDI production bases.

The division between sampler and digital recorder has grown ever narrower with the release of the Lynex, a sophisticated manipulator of high quality, 16‑bit stereo sounds that piggybacks on to any host Atari ST computer. SOS Editor IAN GILBY takes the mouse by the horns...

Jay Chapman discovers why this 16-track MIDI sequencer package for the BBC B micro, described as the musical equivalent of the humble word processor, is receiving so much acclaim from studio users.