Apple

This month, we look at using folders and screensets, as well as showing the Score window needn't be a no-go area for guitarists.

This month Paul Wiffen takes up residence as SOS's Apple expert. After relating his own Mac history, he turns Agony Uncle and addresses a few readers' problems...

Paul Wiffen concludes his investigation into reliable means of audio interfacing on new-style Macintoshes when the traditional PCI card route is not available to you. This month, he tests two more USB audio-only interfaces, and reaches some definitive conclusins about Tascam's US428 MIDI and audio interface.

Having explained some of the audio and MIDI interfacing problems facing owners of new-style Macs, Paul Wiffen looks at practicalities, testing one USB MIDI and one USB MIDI + Audio interface to see what pitfalls await the unwary...

Vic Lennard signs-off as SOS Apple Notes columnist with a look at VM.

Logic's Transform window is often under-used, due to its apparent complexity. John Walden explains all.

It’s not always obvious in Logic Pro X how to go about incorporating hardware into your workflow; we show you how.

Apple recently announced a transition in the Mac’s hardware architecture that promises to be the most significant in the product’s history. But how will this affect musicians and audio engineers?

Finally, Logic Pro X catches up with, and in many ways improves upon, the step sequencers in other DAWs.

Perhaps best known for his television work, Matt Berry’s true love has always been music and the analogue instruments he uses to make it.