ART

There's something very Tardis-like about a tiny box that contains simulations of large acoustic spaces, as Paul White discovers.

Does ART's new model have anything new to offer in a market already well supplied with affordable compressors? Paul White finds out.

Paul White tries out ART's new 'digital safety net', and discovers it has a great deal of creative potential.

Until now, musicians wanting to add that distinctive valve sound to their recordings have had to beg, borrow, or steal to do it. At a mere £149, ART's new tube mic preamp looks set to change all that. Paul White checks it out.

This Bijou processor is deceptively spacious. Derek Johnson shows you around.

ART have followed up their single-channel Tube MP valve mic preamp by developing two more tube designs for both the project studio owner and the audio professional. Paul White huddles round to warm his signals...

Paul White gets the first ART eight-channel Pro Gate to land in the UK &mdash and discovers that behind the hi-tech facade, it's a bit of a Harley-Davidson.

I have an inexpensive ART P16 XLR patchbay that I’d like to reintroduce and I’m wondering whether this will degrade the quality when I’m tracking, mixing and mastering — it would potentially be the weakest link in my signal chain?

We test ART's two compact tube processors to see if they sound bigger than they look.

ART have been championing the cause of musicians on a budget for years with their great value multi-effects units. We check out their latest effort, offering true 4-in, 4-out capabilities for under £300.