SOUND ON SOUND
Both of these devices are part of ART’s new ‘multivoice’ series, which aims to provide a wide range of tonal options.
Sticking to ART's tradition of providing versatile, affordable hardware, the new Solo Series units pack in some serious features while coming in at an impressively low cost.
I am trying out an ART Voice Channel, which has some interesting features, one of which is a dial to vary the microphone impedance continuously from 3kΩ down to 120Ω. So I have been testing this with a bunch of dynamic and capacitor mics...
Compact 32-bit USB audio interfaces can accommodate mic, line and instrument signals, and work up to 192kHz.
If you're looking for instant gratification in the effects department, ART have something that'll do nicely — as Paul White finds out.
£300 is becoming a crowded price point for well-specified effects units, but Art nevertheless hope to stand out with their new Effects Network. Martin Walker decides whether it has what it takes to muscle in on the competition.
Richard Waghorn takes ART's new electro-optical compressor into the studio and is genuinely surprised at the result.
Paul White puts the squeeze on ART's new baby valve compressor.
