Sony

Taking a compact DAT machine out and about can gain you some unique recordings, but can also present you with some unique problems.

Yes, it's a Minidisc machine and it's not even a multitrack, just a stereo recorder. Why on earth could you possibly want one in the studio? Dave Shapton explains...

Paul White tests Sony's diminutive powered monitor designed for desktop music and multimedia work. Can such a small box deliver the goods, and is the performance worth the price?

Janet Harniman-Cook concludes her two-part feature with a guide to creating your own Enhanced CD.

Sony's new mid-priced multi-effects unit boasts four-channel operation, 200 preset effects algorithms, comprehensive user programming capability, and great sound quality to boot. Hugh Robjohns spins that dial...

Sony's surprise entry into the project-studio digital console market looks set to establish a new benchmark for ease of use and operational flexibility. Hugh Robjohns checks out the new DMX100.

One of the most exciting developments in sound processing technology this year was the announcement from Sony of a dedicated reverb unit which applied ambience 'sampled' from real acoustic spaces. Now the theory is reality. Hugh Robjohns gets his hands on the DRE S777.

Artificial reverb algorithms are designed to add 'fake' room ambience to recorded sounds — but a prototype reverb unit from Sony purports to deliver new levels of realism by imposing the characteristics of actual reverberant spaces on the sound. Hugh Robjohns explains....

We put Sony’s classy ‘hi‑res’ instrument mics to the test.

With Sony's flagship sampling reverb processor you can now sample the acoustic signature of any space you want. Hugh Robjohns nips down the village hall to check it out.