Soundcraft

I’m restoring an old Soundcraft 600 mixer and discovered it doesn't use dedicated line amps and pads the mic amp signal.

Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers.

Soundcraft's new mixer attempts to combine budget pricing with a level of performance capable of doing justice to the new breed of digital multitrack machines. Paul White finds out how well it succeeds.

Hugh Robjohns shrinks to microscopic size in order to show you around the conglomeration of knobs, wires and circuits that make up a mixer.

After months of curiosity-arousing, X-Files-style advertising, Soundcraft's Ghost is here, offering the project studio owner automated 8-buss mixing at a highly competitive price. David Mellor deliberately avoids all jokes about EQ and haunting sound quality.

On the face of it, Soundcraft's new Rac Pac is just another compact mixer, but look beneath the surface and you'll find an unususally versatile desk which can double as a miniture recording console or PA mixer.

Soundcraft's new Spirit M-series mixers combine analogue simplicity with a useful digital output. Paul White puts the M8 to the test.

I've been wondering whether my Soundcraft Signature MTK 12 was a defective unit, because it has the aux outputs polarity inverted with respect to the main output section. What is the purpose of such a design choice?

Boasting two mic preamps, USB interfacing and Lexicon effects, this keenly priced mixer holds lots of promises. Does it deliver?

We hear from more surround producers working at very different ends of the music business to see how they've created working surround systems, and how they make use of 5.1 at the mixing stage.