SOUND ON SOUND
Kick drums and bass instruments underpin most contemporary popular music, and it sometimes pays to tweak performances so they work better together.
The first fruit of the Yamaha-Steinberg union is finally with us, but does it provide the hardware/software integration that Cubase and Nuendo users have hoped for? And what is there to tempt users of other DAWs? Let's find out...
If you want to group tracks in Cubase, Group channels aren't always the best option. We explore what you can and can't do with the Link Channels function.
Having done your best to capture a high-quality recording of your vocals, how best do you go about processing them so they work in your mix?
Could Steinberg’s mid–sized USB audio interface provide the perfect package for the home studio and music on the move?
The ZIP file of the Cubase 7.5 project template.
Cubase's audio warp facilities provide a powerful toolkit for manipulating the timing of recorded audio to fit grids and grooves.
With impressive new automation features and free mixer routing, have Steinberg taken their flagship audio application to the top of the class?
Early notes, late notes, stacked notes... There's a range of problems that could stem from MIDI timing issues — but fortunately we have solutions to offer.
