Steinberg

Cubase is packed with as much functionality as Doctor Who's TARDIS for bending the laws of time, and while the basics are easy, it pays to explore a little deeper.

Reverb and delay are vital tools for mixing. We explain how to get the best from Cubase's bundled plug-ins.

Cubase’s Track Lanes system is great for speedy comping, but Track Versions brings plenty more to the party...

We dive deeper than the presets to discover what you can do with Cubase 4's most complex bundled soft synth.

Links to the Mystic Synth audio examples that accompany June 2008's Cubase Notes.

The tools for audio slicing were overhauled in Cubase 4.1. Find out how to get the best from them.

There's more to Prologue than its presets — and it doesn't take long to create some excellent and unique patches.

Crafting the perfect mix is a difficult task, but often all you need is a bit of organisation to make things quicker, easier and more rewarding.

Cubase 4.1 brings a wealth of new features: we explore what you can do with the new side-chaining function.

Our recent explorations of the new software synthesizers introduced in Cubase 4 conclude with a tour around Spector...