Steinberg

When Cubase VST became Cubase SX, one of the big improvements was a better automation system for audio-based tracks and channels. This month, we show you how to make the most of this newer system.

This month we continue exploring Cubase's automation features with a look at the different modes available to SX users, and the issues you'll face when using automation and MIDI Controller data on MIDI Tracks.

Efficient management of Cubase’s Workspaces can be a great help when you need to work quickly.

When sequencers first allowed you to record musical notes in real time, one of the features that became ubiquitous in all systems was quantisation. Here we take a look at how quantise has evolved and is currently used in Cubase SX.

There have been some famous twin-guitar line-ups in rock history and, even if you can't strum a note, you can now have the virtual equivalent — both of these software instruments will play on time and in tune, and won't want a solo in every song! But are they both equally good?

Cubase SX supplies us with a comprehensive set of editing tools, but the manner in which they can be used varies enormously — and also depends upon the task at hand...

Whether archiving projects, creating stems or saving CPU resources, Cubase 8’s Render In Place feature has you covered.

We find out how well Steinberg's new take on the virtual orchestra conducts itself...

The acoustic guitar has its place in almost every style of contemporary music. So how can you use the processing tools of SX to help find the right place in your mix for all that strumming and picking?

Cubase Pro 8 gives you four different reverb plug-ins to choose from, but which one should you be using?