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Symphonic Orchestra Pro Editions upgrade offer

In preparation for the release of the Pro Edition upgrades to East West/Quantum Leap's Symphonic Orchestra orchestral libraries, scheduled for September 2005, UK distributors Arbiter have announced a number of special offers.

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Transform your computer keyboard with Editors Keys

A new company, Editors Keys, have launched a range of low-priced keyboard shortcut sticker sets for audio and video software, and they're offering a 25 percent discount to all Sound On Sound readers.

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Live 8 'Sgt. Pepper' performance released on-line

In what is thought to be the fastest ever worldwide commercial record release, Paul McCartney and U2's performance of 'Sgt. Pepper's Lonely Hearts Club Band' at Saturday's Live 8 concert in London has been released worldwide as a digital download.

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Korg Triton Extreme special offer

Purchase a Triton Extreme workstation before the 31st of August and Korg UK will give you their Legacy Collection software & hardware controller package free!

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Red5 Audio launch in the US

Mic manufacturers Red5 Audio have launched a new company to distribute their products in the USA and Canada.

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London Calling 2005

On Friday the 10th and Saturday the 11th of June, London Calling 2005, an Electronic, Dance and Urban Music Conference for the UK, will be taking over Earl's Court Exhibition Centre in London.

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New plug-ins from Camel Audio

Camel Audio have produced an updated version of their 'phattening' processor, Camel Phat, and a completely new rhythmic multi-effects plug-in, Camel Space.

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Ableton announce Live 5

Ableton have released details of Live version 5, the latest big step forward for their wildly popular music creation and performance software.

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Pro Tools TDM catches up with Tiger

Digidesign have announced the release of Pro Tools TDM v6.9.2, an eagerly awaited update which makes Pro Tools HD systems compatible with Mac OS X 10.4 'Tiger'.

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Lute Hole tackles feedback

The new Lute Hole soundhole covers from The Lute Hole Company offer an alternative way of reducing feedback in live situations, with less suppression of the acoustic guitar's natural voicing

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