SOUND ON SOUND
Paul White tries a simple but useful digital switching system that can be used with s/PDIF or ADAT-format signals.
If you feel that the average sequencer makes you take off your musician's head and put on your computer programmer's head, take a look at FreeStyle. Derek Johnson is not a number, he's a free man...
Yamaha's new flagship workstation mixes 'n' matches several of the company's existing synthesis technologies and throws in a new one for good measure. But have they over-extended themselves? Simon Trask spends some time with the EX5 to find out...
Digital multitrackers are now nothing new, but this one records to a built-in Zip drive using low-cost 100Mb cartridges. Duke Ashton carries on recording.
Offering more multitimbrality than its virtual analogue rivals, plus a combination of knobs for instant gratification and an LCD for accessing more advanced features, will the Virus leave the competition feeling a little sick? Paul Nagle finds out.
In a market already awash with soundcards, it takes a clever company to find a niche that hasn't already been filled. Martin Walker finds out what tricks this new card has up its anti-static sleeve.
Beyerdynamic have become the first mainstream manufacturer to offer the audio industry a practical digital microphone. Hugh Robjohns investigates the MCD100 to see if it represents the future of recording technology.
Paul White listens to Dynaudio's latest powered nearfield monitors and counts the days until he has to give them back.
Paul Nagle concludes his look at Clavia's groundbreaking new Nord Modular.
Tascam have long been one of the big guns in the mid-range recording mixer market. Now they enter the digital mixer arena with a desk aimed at music and post-production work. Hugh Robjohns runs his digits all over it.
MIDI guitar has a long and chequered history, litered with great expectations and expensive failures. Dave Lockwood investigates the latest contender to see if it really is able to bring something genuinely new to the field.
Paul White tests the 20-bit Alesis ADAT XT20, to see whether it wil really help us make better recordings or just allows us to record our low-level hum and noise more accurately!
While this outboard EQ provides little more than a decent desk EQ in the way of facilities, it does have that distinctive vintage JoeMeek sound at a price that won't break the bank.
Paul White gets an earful of a new range of quality mics that goes easy on the pocket but doesn't compromise on sound.
Simon Trask previews the Supernova, Novation's most ambitious synthesizer module to date.
Though this Charisma has only two channels instead of eight, it's lost none of the original charm.
The S100 offers half the innards of Digitech's Studio Quad, but sells for half the Quad's price. Hugh Robjohns finds out whether it does everything by halves...
It was 1973 and everyone was playing Minimoogs, and ARP Odysseys. So why did the Keio ORGan company produce a little synthesizer with the most unorthodox controls imaginable, call it the MiniKORG 700, and try to convince the keyboard cognoscenti that it was worth buying? Gordon Reid explains...
TL Audio's Ivory range of affordable valve-based processors continues to expand. Big game hunter Paul White strikes (c)amp and bags the lates two in the herd... (SOS wishes to point out that no elephants were harmed during the writing of this review.)
Paul White previews a new digital conversion technique designed to provide high-resolution sounds without the need for extravagant sampling frequencies.