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Paul White tries out a new hardware solution for dodgy vocalists — Lexicon Vocal Fix Card for the PCM80.

Though the V-Drum system is ideally suited to the hi-tech drummer, its modular brain features, modelled timbres and powerful editing features may lend it appeal as a source of high-quality sounds for the non-drummer. Nicholas Rowland checks out the beat feat.

In the last year SOS has reviewed no less than 10 examples of the new breed of so-called 'Voice Channels', promising a one-box solution to high quality vocal recordings. Derek Johnson & Debbie Poyser present a brief guide to the models we've looked at, to help you decide which you should go for.

Paul White goes into overdrive with TLA's latest valve processor — the 02031.

Pioneered by Fostex, the concept of the 'personal' digital multitrack — a stand-alone digital recorder with a simple, cassette multitracker-like interface — has been around for two years now. But the new D160 is the first of the bunch to offer 16-track capabilities.

Combining your monitoring and amplification requirements into one portable enclosure has obvious benefits. Christopher Holder has a double date with a couple of sophisticated little performers.

For serious sonic sculpting, you can't beat a parametric EQ, and this new contender from Seattle-based Symetrix is priced within reach of many project studio owners.

SPL claim to have come up with a completely new type of compressor. Paul White puts their assertions to the test.

It started in 88, dropped to 38, now rises to 98... no, it's not the chart performance of the new Spice Girls album, but Tascam's rather strange way of numbering the models in their respected DA series of digital multitrack recorders. Hugh Robjohns checks out the new flagship in the range.

Quasimidi are delivering on their promise to provide new goodies for owners of the 309 dance box. Derek Johnson raves a bit...

Apart from a few MIDI-supported commands, the Doepfer MS404 is completely analogue — so there are no patch memories, no SysEx, and no storable front-panel settings. Chris Carter explains why you'd nevertheless be mad to overlook it...

For the synth afictionado, the ARP Odyssey is up there with the Minimoog in terms of its power and sonic quality. Gordon Reid explains why he loves his Ody...

Can new technology really emulate vintage equipment, or do you have to use vintage parts? Paul White test a modern compressor that claims chameleon-like abilities to emulate classic compression sounds.

Paul White listens in on the new headphone amplifier from British makers DACS Audio.

GeneralMusic are perhaps best known for their home keyboards, but this powerful new high-end instrument is aimed more at the synthesizer workstation market, though is still includes keyboard auto-accompaniment features. Are the company mapping out a brave new world? Simon Trask explores the SK76.

Spinets, Hammonds, massed choirs? Nope. Derek Johnson takes a trip with a module that does just what it says on the tin.

Andy Keir casts a critical ear over the new Alesis rack mixer and discovers that he's in for a quiet time.

Not over-endowed with intelligence the chunky DSS1 had just 256k of memory. Paul Nagle speaks up in defence of a dinosaur.

First previewed at the NAMM show in January, Roland's first foray into the world of drum modelling is now almost ready for release. Nicholas Rowland brings you an exclusive preview from the official launch party.

Enu have conjured up a combination of sampler and sample playback unit which makes the capabilities of their E4X sampler available at a significantly less-than-E4X price. Simon Trask looks for the sleight of hand...