SOUND ON SOUND
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A combination of technical wizardry and old-school craft helped Bernie Herms and Andy Selby bring Josh Groban’s Broadway album to life.
The art of music production lies in serving the song — and working with James Taylor, Dave O’Donnell felt that modern production trends would hinder his aim of capturing emotive performances.
Kendrick Lamar’s To Pimp A Butterfly is one of the most ambitious hip-hop albums of recent years. Derek Ali was Lamar’s right-hand man during its making.
As producer, engineer and mixer, Andy Wallace has done more than anyone to define the sound of modern rock and metal.
With thumbprint data security and track counts in the thousands, the scoring process for sci‑fi movie Divergent was close to science fiction itself!
When an unknown act such as Sam Smith hits the big time, there's often an experienced producer behind the scenes — like Steve Fitzmaurice...
The film of Led Zeppelin’s reunion concert was five years in the making — yet Alan Moulder had only three weeks to mix the entire soundtrack!
Jamie Cullum's sixth studio album, Momentum, sees the British pianist and singer further expanding his stylistic palette.
Nearly 30 years after they burst onto the scene, Bon Jovi continue to top charts worldwide.
Phil Collins began recreating the classic Motown sound as a form of therapy. With the help of engineer Yvan Bing, the results gave Collins his first number one album in 17 years.
The multitracks for Evanescence’s third album were so big that they required two maxed-out Pro Tools rigs to play back!
Digital Performer has a great range of features to help you avoid and clean up noise in your recordings.
OneRepublic's route to the top has been tortuous, and their massive hit 'Stop & Stare' was actually recorded more than three years ago. Engineer and mixer Joe Zook recalls the sessions.
Do you find that your MIDI tracks lack the magic of real performances? Simon Millward looks at the inner workings of one of James Brown's most famous songs and shows you how the musicians' techniques can be used to improve the feel of your own sequences.
Simon Millward demonstrates how to use the tools for extracting groove templates from audio recordings within most MIDI + Audio sequencers and offers his tips and techniques for using them to achieve more feel in your tracks.
Cherry Audio have announced the release of Elka-X, a software synthesizer based upon the rare ELKA Synthex instrument
Warm Audio has unveiled the WA-4073 G+, a meticulous recreation of one of the most beloved consoles that changed recording history in the 1980s.
Polaris is a new sound library featuring a modern string orchestra imitating classic synth sounds, from the mind of Grammy-nominated composer, electronic music pioneer & technologist Brian Transeau, aka BT.
This month, the SOS team help The Arcades to rock even harder than before!
Working on Trippie Redd’s mixtape A Love Letter To You 5 at Miami’s Criteria Studios gave mixer Koen Heldens the rare chance to mix a rap album to half‑inch tape.