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Roland Jupiter
Analogue Polysynths [Retrozone]
Roland's Jupiter family yielded one or two shining examples of what an analogue polysynth should be.
Published February 1998
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BSS Opal DPR422
Compressor / De-esser
Does the DPR422 have the right combination of price and performance to break BSS into the project studio market?
Published February 1998
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Clavia Nord Modular (Preview)
Virtual Analogue Modular Synthesizer
If you'd love a modular synth, but couldn't possibly afford a real one, it's possible that virtual salvation is at hand.
Published February 1998
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Doepfer MAQ16/3
MIDI Analogue Sequencer
The original MAQ 16/3 analogue-style step sequencer, developed with the help of Kraftwerk's Florian Schneider, was released almost five years ago, but Doepfer clearly believe in shelf-life and have continued to update this unique instrument. Chris Carter steps ahead.
Published February 1998
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Neumann TLM50
Capacitor Microphone
Neumann's versatile TLM50 omni-pattern mic combines transparency with a subtle high-end lift.
Published February 1998
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TL Audio Ivory Series VP5051
Valve Processor
David Mellor warms to TL Audio's new mid-range valve voice processor.
Published February 1998
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Allen & Heath MixWizard 14:4:2
Rackmountable Mixer
There is an element of magic in any audio design, but the Allen & Heath MixWizard series may have more than most.
Published February 1998
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Effective Drum Programming: Part 1
Tips & Techniques
If you're after a great rhythm section, these days it's very easy to whip up a great groove from a MIDI file disk. But an inside knowledge of how and why drum patterns work can help make you a better musician and get your rhythm section really working.
Published February 1998
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Using An Optically Connected Multi-channel Digital Setup
Wix Wicken: Songs And Visions
The spread of the ADAT 8-channel optical digital interface to studio equipment of all kinds has raised the prospect of a revolution in multitrack digital recording. Self-confessed digital evangelist (amd Korg UK product specialist) Paul Wiffen explains how the optical digital interface and several fibreglass cables made keyboard session player Wix Wickens' life easier at last year's prestigious Songs and Visions concert at Wembley.
Published February 1998
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Korg TR Rack
Expanded Access Synth Module
Korg's new module makes the synthesis technology of their flagship Trinity workstation range more affordable — but at what cost?
Published February 1998
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Metalithic Systems Digital Wings
Audio PC Recording System
Multi-channel PC soundcards are arriving in droves, but this one is rather different, and incorporates a potential 128 tracks, using unique hardware technology. Martin Walker channels his efforts.
Published February 1998
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Red Sound Systems Voyager 1 Beat Xtractor
DJ Accessory
It's a small curiously-shaped shiny chrome box with just six buttons and no LCD screen, and it claims to be the future of DJ-ing. Intrigued? Paul Farrer goes on a voyage of discovery...
Published February 1998
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Tascam DA302
Dual DAT Deck
Derek Johnson finds Tascam's dual DAT deck, the first ever, is at least twice the fun...
Published February 1998
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Waves Maxxbass
Bass Enhancement Plug-in
Paul White takes it to the max with Waves' latest plug-in.
Published February 1998
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Xpression! DPM1
Proactive Powered Monitors
Paul White lends a critical ear to Xpression's first ever powered monitor, to test the company's claim of accuracy at a budget price.
Published February 1998
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AS ONE (KIRK DEGIORGIO): Adidas Ads, Folklore & Blue Note Jazz
Interview | Artist
Kirk Degeorgio, aka As One: head of the cult techno label Op ART, producer of the recent Planetary Folklore LP on Mowax, co-composer of the notorious Adidas 'Prince Naseem in America' ad, and proud owner of a huge collection of Blue Note jazz LPs. Phew! Christopher Holder discovers that Ipswich is nearer the centre of the universe than he thought.
Published February 1998
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CHRISTOPHER HOLDER: Danger In The Studio
Sounding Off
Your cosy home studio can be more like a death-trap, as Christopher Holder warns...
Published February 1998
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DAVE ROSSUM: Inside Creative Labs
Interview | Manufacturer
Creative Labs' Chief Scientist, Dave Rossum, looks into his crystal ball to predict the future of soundcards. Paul White listens in.
Published February 1998
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DAVID BYRNE: Talking Heads
Interview | Artist
David Byrne must surely be one of the most individual and iconoclastic musicians of the late 20th century and, six years after leaving Talking Heads, he's still fusing different musical styles and forging new musical alliances. Sue Sillitoe does at least some of the talking...
Published February 1998