SOUND ON SOUND
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Rating: ★ ★ ★ ★ ★ 5/5 Stars. Deep Pool blends detailed sampling of acoustic drums, electronic drums and some sound‑designed elements to create a suite of very stylish drum and percussion sounds.
Drum Workshop bring their considerable experience of drum hardware to the virtual world.
The P1 is a beautifully designed, two‑channel pedal interface that’ll bridge the gap between your modular and guitar worlds.
Vocoflex imposes the timbre of one or more reference voices onto another — so just how convincing are the results?
This combination of software and multi‑channel plug‑in overcomes some frustrating hurdles for those working in Atmos.
Canadian producer / engineer Garth ‘GGGarth’ Richardson has worked with some of music’s biggest acts, and from his vast discography he discusses how he created an iconic bass tone.
Can one bundle really meet all your mixing and mastering plug‑in needs?
The biggest hit of the decade so far took Shaboozey and his team half an hour to write — and weeks to perfect.
Does this box of tricks live up to its billing as the Swiss Army Knife of audio cables?
What conclusions can we draw from the resurgence of tape-based recording and releases?
Introduced in Live 12, Roar is much more than just a saturation plug‑in...
Tascam’s new recording mixer is the most flexible Model‑series console yet.
Toontrack’s latest EZX expansion brings classic and contemporary pop drums to EZdrummer and Superior Drummer.
This pedal‑format compressor doubles up as a serious studio tool.
Have Wes Audio achieved the perfect union of analogue processing and digital control?
You might wonder why I’m still drawn toward effects pedals when plug‑ins can often do so much more, but in a way that answers the question.
Studio One Pro 7 is a solid upgrade with something for almost everyone.
We get re-acquainted with some of Pro Tools’ stock plug‑ins.
PWM’s sophomore outing is an intriguing combination of old and new, co-designed by the late Chris Huggett.