SOUND ON SOUND
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With the advance of new technology, PC audio editors have finally reached the point where they can give Macintosh systems a run for their money. Janet Harniman-Cook investigates the possibilities.
Ask a dozen engineers how to make great vocal recordings and you'll get a dozen different answers — but there are some ground rules, as Hugh Robjohns explains.
Derek Johnson keeps the Atari flag boldly flying with news of a new Atari-based software-only synth, and also checks out a new shareware sample conversion utility...
In last month's issue, Paul Farrer offered hints and tips for making your programmed MIDI instruments seem more real. This month it's the the turn of drums and percussion.
Martin Russ puts the latest doom and gloom Apple news from the media into context.
A system that knows when you've plugged in a new piece of kit, and which sets it up automatically, sound like a big step forward for PC owners. Unfortunately, that big step is into a chasm for many people. Martin Walker lays down some planks to get you safely across.
Many of today's digital effects processors offer you considerable control over the creation of artificial ambiences for your music, and if you know how reverberation works in real spaces, you'll be better equipped for designing fake ones. Hugh Robjohns boldly goes...
The arrival of audio processing software plug-ins for the PC means that the platform can now compete as a viable digital audio workstation, and the latest update to PC audio editor Sound Forge supports the use of several software-based processors. Martin Walker checks them out.
Paul White puts the squeeze on ART's new baby valve compressor.
Brian Heywood brings you the latest hard disk recording news from the Soundscape, and gives his PC a thorough medical with Checkit...
Hugh Robjohns continues his history of stereo recording techniques with a look at the development of spaced microphone arrays.
Now that CD writers and well-specified CD-burning software are becoming more affordable, you might like to think about the advantages DIY CDs could bring to your studio. Mike Collins explains the benefits and takes you through the burning process using two popular software packages.
Thinking of buying a new microphone? Maybe you should consider investing in a dedicated mic preamp instead, to improve the clarity and definition of your recordings without breaking the bank. Dominic Hawken plugs in the mic he likes and checks out the new contender from dbx
The newest member of Digitech's Vocalist family of intelligent pitch-shifters boasts some slimmed-down features from previous models and a 'hands-on' user interface. Paul Farrer warms up with some scales, adjusts his bow tie and takes this powerful module right through the standing ovation and bouquets
Drawmer's 1960 series leaps into the digital age with the launch of the 1962, which combines a specially designed low-noise preamp, variable tube coloration and audio-sweetening tools with an optional 24-bit output stage. Paul White celebrates the year of the tube.
Paul White puts Dynaudio's new nearfield monitors to the test and is actively impressed.
People keep on making 'em, people keep on buying 'em. Is there no end to the appetite for TB303 clones? Paul Nagle checks out one of the cheapest yet, and concludes that FAT is good for you after all.
Iomega's removable Zip drive has been a huge success for cost-effective data backup. Now the much larger capacity Jaz, which is fast enough for direct to disk audio use, looks set to continue the Iomega success story. Paul White enters the Jaz age...
This UK-designed and built processor offers two channels of easy-to-use compression and gating for under £200. Paul White's backing Britain.