SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
When setting up a studio, the temptation is to make do with the existing wiring — but this can lead to problems with hum and interference, as Paul White explains.
Subtle adjustments of your tempo track is a much overlooked way of changing the mood of sequences. Craig Anderton explains how to do it.
Owners of Sound Tools II digital editing systems can now have access to sophisticated techniques for reducing noise on recordings - thanks to the DINR intelligent Noise Reduction software. Paul White loads it up and looks for a quiet life...
Nick Magnus takes a look at the digital incarnation of Dynacord's popular CLS 222 Leslie Simulator.
Hands On Development came into the field of MIDI-controlled lighting very early, with their sophisticated Limetime controller. Now the Starlite offers even the most fiscally challenged the opportunity to add another dimension to a live performance. Martin Russ seeks enlightenment.
The legendary Kurzweil piano sound is now available in a smaller box and with a lower price tag than ever before - though in the UK it's still significantly more expensive than competing piano modules from other manufacturers. Is it worth the price premium? Derek Johnson finds out.
Some ingenious filtering and noise reduction possibilities combine with four channels of frequency-conscious noise gating to make this new studio processor more than meets the eye. Paul White investigates.
Manufactured in Russia under the auspices of the state plan for 'work creation regardless of demand', the MK219 cardioid microphone is styled with all the panache of an Aeroflot tea trolley — but plug it in and you hear quite a different story, as Paul White discovers...
Roland's eagerly awaited multimedia Windows sound package competes head on with the Sound Blaster Pro and Turtle Beach sound cards well known to PC musicians. Brian Heywood finds out how the newcomer measures up.
Roland were one of the stars of the recent NAMM show, launching a jaw-dropping array of new products, including three new 'Expandable' keyboards in the JV line. David Crombie looks at two of them.
A new shape? A large LCD? Martin Russ finds out what Yamaha are up to with their latest expander, which aims to give GM compatibility ans a whole lot more...
Does a band need a record producer? And can the producer also be part of the band? Mike Pickering — one third of M People, the deConstruction act that really came into its own in 1993 — is both a producer and an artist. He sees no conflict in his dual role, but he does feel that the role of producer is changing — here he explains how...
Paul White returns stirred but unshaken from the NAMM '94 exhibition with a brief overview of the products that most caught his attention.
Considered by some to be a guru of the new dance, mixing driving beats with ecletic found sounds, Cabaret Voltaire's Richard H. Kirk remains an influential voice. Mark J. Prendergast tracks him down.
Young Irish engineer Robbie Adams played an important part in the recording of U2's popular and critically-acclaimed albums Achtung Baby and Zooropa. Here he gives Paul Tingen a fascinating insight into the exciting and unorthodox recording methods they used.
Paul White was invited to Tom Oberheim's Los Angeles hotel suite for a preview of the Marion Systems MSR2 modular synthesizer.
As SOS enters its second century, we look back over the past 100 great issues and chart the changing face of hi-tech music.
This compact unit allows you to add MIDI-controlled lights to your performance for less than the cost of a modest sound module. Paul White checks it out.
Changing from analogue to digital multitrack brings many benefits and one or two pitfalls. Craig Anderton offers some hints and tips to help you get the best from digital recording.