SOUND ON SOUND
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Make your digital synth put on an analogue hat. Does the current passion for analogue mean you have to put your digital synth back in its box and track down an analogue instrument? Not if Nick Magnus has anything to do with it!
Though now discontinued, the K1 and its modular cousins enjoy continuing popularity on the second hand market. Setting this synth up for multitimbral sequencer use is straightforward — when you know how.
Paul Austin looks at a sound and vision system which brings true multimedia closer than ever before: Toccata.
Brian Heywood looks back over the past year of PC music activity.
Paul White examines 3 different tips & tricks to help with vocals, guitars, and MIDI production.
Paul White examines 3 different tips & tricks to help with vocals, guitars, and MIDI production.
Even in the simplest MIDI system, there is often a need to switch between one MIDI source and another. For example, when...
Kendall Wrightson signs off as your Mac correspondent with a look at what's in store for '94.
Derek Johnson examines one of the more affordable recorders, the Aiwa XD-S1100.
An investigation of the latest offering from Penny & Giles, the Rolls Royce of fader manufacturers.
Craig Anderton's QY10 goes everywhere with him — and he's developed loads of useful short-cuts to help QY10 owners make even better use of this brilliant musical notepad.
Alesis are one of the acknowledged leaders in affordable digital recording equipment, but can they compete in the crowded world of studio monitoring?
This deceptively small console conceals a sophisticated VCA automation system that can be used independently or in conjunction with external MIDI devices.
If you're looking for instant gratification in the effects department, ART have something that'll do nicely — as Paul White finds out.
Steven Helstrip checks out a four-program PC package which aims to cover all the MIDI production bases.
Wanna record professional quality audio on your PC's hard disk? Brian Heywood investigates the temptingly low cost route offered by Digital Audio Labs' plug-in cardD system.
Synthesist Ian Boddy steps back in time to report on the classic British sound machine, regularly found haunting the electronic music departments of many a university, and a recent addition to the author's own sonic armoury.
In this final instalment, we present a practical overview of the 'room‑within‑a‑room' principle which is used in the construction of virtually all major studios.
Having dealt with walls and floors, we move on to the floors and ceilings of the studio, with a view to reducing sound leakage even further.