SOUND ON SOUND
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Could something this good really be this cheap? Derek Johnson looks at a 16-track sequencer package which is perfectly priced for the beginner but provides ample room for growth.
This compact unit will store your MIDI data and play back your sequences for considerably less money than the competition. But does it work? Derek Johnson find out.
ATC have collaborated with Wilmslow Audio to produce kits based on their popular SCM 50 and 100 monitors that are easy to build, offer high performance, and are very attractively priced.
Paul White checks out this handy desk accessory utility.
Will Yamaha's MT8X depose Tascam's 488 as the market leading cassette 8-track? Paul White cast a critical eye over this aggresive newcomer and discovers that the answer is far from cut and dried.
Wilf Smarties gets the word on remixing from DMC's illustrious Brothers in Rhythm team: Dave Seaman and Steve Anderson.
On an annual pilgrimage to UK Electronica, Jonathan Miller met with leading exponents of the electronic music genre. Lightwave, together with ex-Tangerine Dreamer Paul Haslinger, headlined the 1992 event in what proved to be an exciting collaboration.
Mark Tinley tells Nigel Humberstone how he landed the gig as Duran Duran's programmer and what the job entails.
Beyond Records is a true example of an independent label, set up by Mike Barnett, an enthusiast keen to get ambient music out to the masses and with a roster of promising electronic acts, including the up and coming Higher Intelligency Agency. Nigel Humberstone talks to Mike about setting up the label and HIA about producing the music.
With the recent re-release of Loops & Reels, plus a new live album, Peter Hammill found time to talk to Paul Tingen about obscurity, crudeness, ADATs, and their place in his music today.
Recording music can, and should be, serious fun, according to producer Tony Visconti.
BBE's Sonic Maximizer has been with us for several years now, earning itself a reputation as one of the sweeter sounding enhancers on the market. Paul White studio tests the latest incarnation, the 462, which benefits from extensively redesigned circuitry.
Paul White looks at achieving a good balance in your mixes.
Bob Thomas offers a quick tip to achieve vocal separation.
Paul White offers a tip for boosting gain when recording your synths.
Paul Austin spotlights the latest in 16-bit Amiga recording as WaveTools and the latest incarnation of Clarity take the stage.
Nick Magnus continues his quest to emulate analogue sounds on digital instruments. This month, he shows you how to recreate analogue strings.
This month Brian Heywood delivers news of an update to Cubase Lite, a way of downloading sounds to your Gravis Ultrasound card, and more...
What are decibels and where did they come from? Paul White explains why equipment specs quote them, meters read them and operating levels conform to them.