SOUND ON SOUND
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Just as the Universal Serial Buss arrives, the FireWire juggernaut sounds its horn and releases the air-brakes. Martin Russ boldly attempts to fight off the worst of the bad puns.
We've all experienced the burst of creativity that getting hold of a new sound can bring about — but not being able to afford new synths and sound modules is also a familiar feeling.
In Part 1, we saw how manufacturers realised that putting DSP effects on synths made for great sales. Subsequently, they twigged that it was also a good idea to let us take them off again (selectively), and route and adjust them ourselves.
You've got a digital desk and a high-resolution computer workstation, but how do you input 24-bit source material? Hugh Robjohns checks out MusicNet's answer.
Bob Moog's analogue filter in a pedal certainly has the vintage look — but does it capture that vintage Moog sound? Paul White does the stomp and finds out.
The complete virtual studio comes a step closer with sophisticated software sampling. Derek Johnson & Debbie Poyser look at a cross-platform program that aims to take sampling out of the rack and onto the desktop.
Norm Leete waxes lyrical about the mega-synth that introduced sampling to the world back in 1980 and went on to appear on innumerable hit singles and albums.
Beyerdynamic's range of microphones has grown at a very healthy rate over the last year or so. We provide a first opinion on their new general‑purpose studio condenser, the MCE90.
We meet the reviewer's dream — a powerful synth that's versatile, easy to use, easy to edit and even demonstrates its own patches for you!
As studios became more and more virtual, musicians begin to miss having real knobs and faders to play with — hence the success of Peavey's original PC1600 MIDI hardware fader box. Six years on, it has just been replaced with a new version.
TC Electronic's latest innovation is a dual-channel mic preamp/channel strip with comprehensive digital processing.
Yamha scored a big success with their famously blue, knob-endowed CS1x Performance synth, and now they seek to build on this with the silver-grey CS2x — but does the 1-digit increment and change of colour scheme constitute revolution or evolution?
Yamaha's fine tradition of free product-support software continues with a Mac editor for their unique FS1R synth.
Seven years ago, teacher, musician and engineer Howard Turner transformed himself into The Studio Wizard and placed an ad offering his services as studio trouble shooter and consultant. It worked like a charm...
Audio software and PC soundcards are offering 20- or 24-bit recording capabilitiy at even more affordable prices — but whether the extra data on your hard disk will actually correspond to better sound quality depends on a host of other factors. Martin Walker tells you what you need to know when deciding if you should make the change.
Ensoniq were as the forefront of workstation and sampling technology in the '80s, but their recent synth offerings have not kept up with the fashion for controller-festooned techno boxes. The Fizmo, however, updates their take on wavetable synthesis with extensive real-time control.
Is it a bird? Is it a plane? No, it's a new guitar-oriented effects unit from Lexicon. But will it inspire our mild-mannered reported John Walden to turn his Clark Kent chords into guitar (super)heroics?
Having tested the waters with the low-cost CDR630, Marantz are now set to challenge professional compact disc recorders higher up the ladder. Paul White takes the new CDR640 for a spin.
Go into any top recording studio and the chances are that you'll find not one, but numerous pairs of Beyerdynamic DT100...
When I did the recent roundup of Roland Expansion boards in the November '98 issue, the Vocal board had been announced but...