SOUND ON SOUND
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If you're looking to invest in a 16-track digital multitracker, their extensive feature set can make it very difficult to decide which to buy. Derek Johnson & Debbie Poyser round up the five current contenders and help you find the best models for your needs.
What's the connection between Madonna and Stockhousen? Sam Inglis meets a producer who puts the 'art' into chart music...
SOS visits another reader's home/project studio.
Last year's best-selling UK single came not from Westlife or All Saints, but a pre-school kids'TV series. Sam Inglis asks its composer and producer how they turned the theme into a hit.
As the 'dot com' business world's first flush of enthusiasm for the Internet fades, is a deeper understanding of the web's greater potential about to emerge? Dave Shapton speculates.
There are still those who lament the fact that MIDI and music technology have made it possible for anyone to produce music, with a potential impact on overall quality — but Roger Derry isn't one of them...
I have started to become very interested in using my Atari system either as a stand‑alone recorder, or in...
I've recently bought myself an electroacoustic guitar and it sounds really loud, clean and crisp when I play it. Yet...
In the middle of November I sat down to do some recording, to find that interference was affecting my equipment. It hasn't...
I currently have a Pentium III 600 PC running Logic Audio Platinum, but do most of my sound editing on a Kurzweil...
I have recently bought a new PC that I intend to use solely for music production. Having read Martin Walker's article on...
I am beginning to expand and improve my home studio, and am now deciding on a monitoring system. After studying the...
I have bought the Native Instruments B4 organ plug‑in and am using it with Emagic Logic 4.6.3 on a...
Hugh Robjohns and Mike Senior explains how to get great results when creating arrangements one track at a time.
This month, we see how best to comp performances within Logic, and we also show you a neat trick for finding new guitar fingerings.
Simon Price continues his look at Pro Tools, focusing this month on the software and how it can be used in the studio alongside other MIDI + Audio recording and editing applications.
When your studio just won't co-operate and there's no-one to turn to, the pool of knowledge and expertise offered by fellow web users can be a life saver. Chris Carter investigates troubleshooting on the open-all-hours Internet.
Many problems encountered when using PCs to record music are caused by MIDI or audio data not being delivered on time, or by its flow being interrupted. Martin Walker outlines some of the most common causes and symptoms, and tells you how to go about eliminating them.
The facilities that Cubase offers for manipulating note legnths may not be amongst its most exciting features, but as this month's Cubase Notes demonstrates, they can prove to be invaluable.