SOUND ON SOUND
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For over 10 years, Chris and Cosey have been treading their own idiosyncratic musical path, changing with the times but still maintaining their individual and influential style, and continue to find a worldwide audience. Derek Johnson visited them in their personal Studio.
Digidesign hardware now forms the backbone of most Macintosh-based hard disk recording systems, but where did the company come from, where is it going, and what changes can we expect to see after their recent merger with Avid? Paul white gets the answers directly from Peter Gotcher, President of Digidesign.
Pete Brown describes himself as an old-fashioned producer who prefers to let his engineers handle the technical side while he concentrates on the music and lyrics. Over the last 30 years he has also been a first-rate musician and songwriter — he wrote many of Cream's original lyrics, including 'Sunshine of Your Love', recently credited with one million plays. Here he talks about production from the perspective of a veteran Jack Of All Trades.
Down in the BBC vaults, we were told, they had stumbled upon a golden tape containing long lost recordings of The Beatles' radio performances. Richard Buskin spoke to the BBC Radio producer Kevin Howlett and Abbey Road Studios engineer Peter Mew to discover the truth behind the hype.
Since riding to fame on the crest of the late '80s DJ sampling wave, Tim Simenon has re-cast himself in a variety of moulds, not least those of producer and record label boss. Paul Tingen caught up with him to talk about his latest album and his brilliant career...
Looking to buy a replacement Atari computer? Vic Lennard gives some pointers...
Paul Nagle looks at adding MIDI and sounds to your PC setup.
Though Logical Edit is potentially one of Cubase's most useful features, it's also one of the most feared and misunderstood. In this three-part series, Simon Millward aims to explain it...
Equalisation is one of the most powerful tools in your sonic toolkit and can be your greatest enemy or your greatest ally in the battle for the perfect sound. David Mellor gives advice on how and when best to use it.
This month, Brian Heywood takes a look at the evolving role of the PC, and considers the parts CD-ROMs and the Internet have to play in the future of music shopping...
Paul Overaa's recent experiments seemed to have dropped a bit of a bombshell on the Amiga's tracker-based musical community. To find out what's happened, and pick up on all the other important Amiga-related news, just keep reading...
Want to set up a home studio but don't know where to start? In the first part of a new series, Paul White guides you through the creation and setting up of a basic home recording system.
Martin Russ brings you the latest Apple news and tips... Theatre Sequencer.
Songwriter David Bibbey continues his talk with Brian Jackson of EMI music US and steels himself for Brian's opinions on his demo...
Amidst the parched sands of the NAMM show, Paul White found welcome relief at Korg's Oasys of advanced musical technology, where the latest efforts of the company's US R&D team were unveiled.
A new bargain capacitor mic threatens to stop the drain of hard currency into the coffers of ailing ex-Eastern Bloc states. Paul White checks out the American-made CR3A.
The flood of quality effects units from Lexicon continues unabated. The Reflex takes the familiar Alex format, enhances its front panel editing, adds Lexicon's new Lexi II chip for improved sound quality, and tops it all off with comprehensive MIDI control facilities. Nick Magnus gets dynamic...
Paul white gets his hands on Mackie's long-awaited 3204 line mixer and discovers that it has hidden potential.
Paul White tries out Peavey's new rackmount mixer to find out if the tubes really make a difference...
Philip Rees are known for their distinctive red and black MIDI Thru and Merge boxes, which have found homes in many MIDI studios. Now they've turned their attention to tape sync, with the TS1. Derek Johnson checks it out.