SOUND ON SOUND
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With the launch of the Apollo Twin X USB, all of the features of UA's popular compact desktop audio interface are now available to Windows users via USB 3.
Lake People build on their expertise in converters and headphone amplifiers, announcing the MC100 monitor controller.
OE’s all‑analogue bass pedals pack the sound of a stack into a stompbox.
Once again, Zoom raise the bar for high‑quality, 32-bit affordable handheld recorders.
The DNS 4 from CEDAR Audio is a portable four-channel dialogue noise suppressor offering near-zero latecy performance and both analogue and digital connectivity.
Neumann have joined forces with Merging to create an interface that’s both excellent and accessible.
The latest addition to RME's Digiface line-up features 14 inputs and 16 outputs, offers full standalone operation, and provides flexible playback and monitoring facilities courtesy of TotalMix FX.
Many manufacturers now offer dedicated products tailored for the distinctive workflows involved in podcasting and live streaming.
Licence‑free wireless is fine for smaller shows, but more serious calls for a more serious system.
Have Black Corporation managed to capture the spirit of the Jupiter‑8 in a 19‑inch rack?
Bring studio sound to the stage with these live‑oriented capacitor microphones.
Behringer's new Xenyx 1003B mixer promises to provide a high-quality solution for live work, recording, streaming and podcasting, and even offers the option of running on batteries.
Thermoguide's latest project aims to bring improved low-frequency monitoring solutions to engineers working with compact monitors in small rooms.
The green front panel of Antelope’s first monitor speaker conceals an unusual design approach.
The Venue MK III Series retains the versatile dual-channel design that made the range popular, but introduces built-in cabinet simulation and some technical improvments.
Mesanovic’s three‑way speaker offers outstanding performance, wireless connectivity — and a cardioid bass response.
Does sending phantom power to a dynamic microphone cause any problems or affect the signal?
I want to run a stereo pair of mics down a single cable to minimise the visual clutter on a tall mic stand, is star-quad cable a viable solution?
I’d like a clearer understanding of what a fully floating balanced output is and how I can take advantage of it....
Originally developed for a German broadcaster, the Digiface AES is now available to everyone.