SOUND ON SOUND
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“We had always planned for Carnaby HE2 to be more than just two Carnaby 500s in a box,” say Cranborne. But how much more?
Composing for adverts and music libraries can be rewarding, challenging and creative — and did we mention that you get paid?
Danny Harle has made a career out of taking pop music seriously, culminating in a key role on Dua Lipa’s hit album Radical Optimism.
The Berlin samplemeisters link up with a Hollywood film composer to create two major string collections.
Expert Sleepers’ Andrew Ostler gives us a blow‑by‑blow account of the thinking behind his new analogue modules.
David Bowie’s classic Ziggy Stardust album has been reinvented in three dimensions.
We cut through the jargon to explain how software instruments achieve their incredible realism.
Beetlecrab introduce their own distinctive take on granular synthesis.
As well as playing with some of the biggest names in the field, Andy La Rocque has turned his Sonic Train Studios into a metal Mecca.
With a CV that includes Westworld, Game Of Thrones and Prison Break, Ramin Djawadi is one of the busiest composers in Hollywood.
Arturia’s PolyBrute has gained six voices and a lot more besides.
These unusual coaxial speakers bring the concept of horn‑loaded monitoring into the 21st Century.
We talk you through the many compressors available in Studio One...
Growing up in the western Mexican city of Guadalajara, Eduardo De La Paz didn’t have many opportunities to learn the craft of recording and production. He has since made his own name as a formidable mixer, and in the process founded a studio.
Hit‑Boy’s freewheeling production style has made him one of the hottest producers in the USA.
Designed to deliver an aggressive ’90s mastering sound on stage, the Golden Master could well come in handy in the studio too.
With a compressor‑saturator stage for each of its four bands, could Drawmer’s new EQ become your latest Crush?
A much‑loved creative distortion plug‑in is back from its sabbatical, and it looks like the break has done it good!
An oscilloscope can be very handy when working with synths and CV signals — but most aren’t designed with music‑makers in mind. The NTS-2 is.