
MOTU unveil DP6
US-based hardware and software manufacturers Mark Of The Unicorn made some major announcements at the NAMM show in...
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US-based hardware and software manufacturers Mark Of The Unicorn made some major announcements at the NAMM show in...
Roland bring their HandSonic percussion range bang up to date with the HPD20.
Last month, we recounted our experiences of tracking a jazz big band on location. Now we explain what it takes to turn the raw multitracks into a nicely polished production.
Side-chain compression can be the difference between a flat, lifeless mix and an adrenalised floor-filler. Learn how to capture the French house sound, and add an extra little twist.
I have been reading the book Mastering Audio by Bob Katz. In it he addresses the issue of the detrimental occurance of comb filtering when recording in stereo and then combining the signals in a single track...
Analogue Solutions make a bid for your cash with a retro-styled synth offering big, fat Moog-style sounds and a built-in sequencer. Could this be their best synth yet?
When it comes to MIDI files on the 'net you have two options: either trawl through the myriad of illegal pirate sites or deal with a professional. Paul Farrer separates the pros from the cons.
The concept behind TK’s BC1 is simple: take a classic bus-compressor design and improve on it.
Virsyn's Matrix Vocoder is one of the first plug-ins to use Steinberg's new VST3 specification. So if you want that classic vocoder sound, should you take the blue pill or the red one?
Digital mixing offers a huge range of benefits over analogue, and with more models available than ever before, there’s never been a better time to try it. Here’s our round-up of some of the most popular models available today.
Producer and engineer Mark Endert not only mixed the lead single from Maroon 5s second album: he also co-produced it and programmed many of the parts.
We go hip-hop this month, as we aim for a Dr Dre-style sound with Preslin Davis' track 'Side Effects', and highlight the importance of artist-engineer dialogue.
The latest 7.1 version of Magix's popular recording software adds support for native audio standards including ASIO and VST, as well as some tasty new features such as full plug-in delay compensation.
MakeMusic’s Finale score-writing software has been helping composers and publishers for a quarter of a century. What does its 2012 incarnation bring?
AUDIO CD Rating: **** 4/5 Stars
With so many computer‑generated rhythms about, however well...
We made things a little harder by tackling this month's Mix Rescue before a student audience.
Rob Papen's venerable soft synth gets a comprehensive update.
Although Craig Armstrong has been building strong writing and arranging credits since the start of the '90s with such artists as Massive Attack, Madonna, Suede and U2, it's only in recent months that he's come to the fore as a solo artist in his own right, with his new album The Space Between Us. Paul Tingen notches up some Frequent Flyer miles to talk to him.