
Cakewalk Sonar 3
The Sonar adventure continues with a new audio engine, a fresh look, new plug-ins and a surprising sampler.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.

The Sonar adventure continues with a new audio engine, a fresh look, new plug-ins and a surprising sampler.

I've recently started using the Antares Auto-Tune plug-in (version 3), and I need help! Even when using the plug-in's Automatic mode, I can't get a good sound out of it — the corrected voice sounds 'warbly' and fake. Can you offer any advice?

I produce electronic dance music. Much of the time I work with headphones on, to help me focus on detailed sounds in repetitive loops. However, I often notice that when I switch to listening on speakers (to check the actual mix and so on) the track seems a bit faster. What could be the cause?

I had four tracks transferred to vinyl and told the pressing plant to do any necessary EQ'ing required. I got the test pressings back and found them to be very harsh in the upper frequencies when compared to my CD master. Should I get my tracks professionally mastered for vinyl next time?

I have just purchased the new Novation KS4 keyboard and want to have a complete drum kit playing in performance mode but there's nothing in the manual explaining how to do this! Can you program full kits to sound like the keyboard demo or must you use an external sequencer?

These active monitors can have their responses tailored to suit their environment when used with the powerful four-band DSP equaliser option.


As Apple's recent Panther operating system upgrade is adopted by the Mac community, the usual problems that accompany such a major change begin to surface. We take a closer look at the issues worth considering before making the jump to Panther, and report on Apple's new iBook G4.

A frequently recurring question from new sequencer/DAW users is what else they need to set up a complete studio. We show you how to create the most simple usable system, and how to expand and adapt it to more demanding applications.

Behringer's rack-friendly versions of their V-Amp 2 and Bass V-Amp add extra connection flexibility and rugged 2U hardware.

Another group of Music Producers Guild members proffer their constructive comments on the recordings of more SOS readers...

Half a century in the business has seen recording engineer Al Schmitt reach the very top of his profession, but even a man of his experience can find himself faced with new challenges. So it was in 1991, when he was called upon to turn a classic Nat 'King' Cole recording into a duet with Cole's daughter Natalie...

The follow-up to Clavia's Nord Lead 3 is not the Nord Lead 4 (well, not yet), but a beefed-up version of the Nord Lead 2! We find out why, and how it improves on the original.


Until its recent update, Cubase SX did not have all the specific tools needed for easy tempo changes when, for example, working to picture — but a close look at the tools it does have reveals ways of getting the job done for those who haven't yet upgraded.

Considering the best way to mix in a small modern studio leads Cutting Edge to speculate on a possible future for the interconnection of digital audio devices.

As well as a bundle of 50-plus effects plug-ins, Quantum FX provides all the tools you need to design your own.

Another batch of lucky SOS readers' demos wait nervously for the Doctor's prognosis. What is the verdict? Listen while you read on...

Teenager Dylan Mills (aka Dizzee Rascal) captured the headlines in 2003 by winning the UK's Mercury Music Prize with one of the most uncompromising albums of recent times. Dizzee and engineer/manager Cage describe how they made Boy In Da Corner.

The budget MIDI controller market is pretty crowded these days, but Evolution are giving you the most for your money with the UC33, eschewing expensive rotary encoders and large displays for affordable non-moving faders and wipe-clean overlays.