SOUND ON SOUND
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Paul Wiffen reveals highlights of the MacWorld Expo, and laments the passing of Apple's earliest UK evangelist while celebrating his permanent contribution to popular culture.
This month, we explore the murky world of Cubase's Master track in a bid to teach it the tempo of a MIDI part. There's also some hot news about updates and an excellent shareware reverb plug-in, as well as the usual tips and tricks.
Martin Walker takes a look at the latest update to the Nemesys Gigastudio, and reports on a disturbing trend for shareware developers.
You might be a virtuoso instrumentalist and a dab hand at programming, but can you get the two skills to work together? Sam Inglis offers some tips.
Having looked in Part 1 at how to condense your studio setup for use as a live rig, David Harman concludes this short series with tips on how to prepare yourself and your gear for the rigours of live performance.
TL Audio's successful Fat 1 stereo compressor now has a new sibling with its own built-in mic preamp. Paul White delivers the SOS verdict.
This month, more on DP plug-ins with side-chains, plus tips on improving audio timing, using Mix mode, and news of a compact USB hardware controller for use with DP.
This month Big George takes a deep breath... and expels the usual hot air.
It's tempting to save money by assembling your own PC, but unless you're an expert it can be a frustrating experience. Martin Walker shows you how to go about choosing components and putting them together.
Discover what's new in Pro Tools 5.1.1, learn how to transfer songs from Emagic's Logic, and take advantage of our usual handy tips.
How should I use my patchbay? Why can I only play one sound with my Octapad? How does DAT error correction work? Can I avoid the animation on your web site?
Steinberg's new Houston hardware controller certainly looks space-age, but is it a small step or a giant leap for the 21st-century computer musician? Martin Walker takes his protein pills and puts his helmet on...
The inherent non-linearities and distortions of analogue equipment are sometimes sorely missed in this digital age. Empirical Labs offer their new FATSO Jr as a solution.
Soundcraft's new Spirit M-series mixers combine analogue simplicity with a useful digital output. Paul White puts the M8 to the test.
In these days of virtual instruments and fully featured software sequencers, why should you even consider spending £2000 on a cumbersome hardware synth workstation? If the workstation is as well thought-out as Yamaha's new Motif, perhaps you should.