
MIDI Files
When it comes to MIDI files on the 'net you have two options: either trawl through the myriad of illegal pirate sites or deal with a professional. Paul Farrer separates the pros from the cons.
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When it comes to MIDI files on the 'net you have two options: either trawl through the myriad of illegal pirate sites or deal with a professional. Paul Farrer separates the pros from the cons.
This month Martin Walker seeks out the suppliers of products aimed at reducing noise from your PC.
Proofing music with MP3 and SoundJam MP Plus is on the agenda for Vic Lennard this month...
Paul White concludes this short series by considering a more sophisticated desktop studio incorprating an external digital mixer.
Monitor speakers affect nearly all the descisions we make when recording and mixing — yet most of us know very little about how they are designed, and why they sound the way they do. In the first of a new series, Phil Ward explains what goes into the design of typical passive nearfields, and the effects they can have on what we record.
I read with interest Paul White's FAQ in last month's SOS about digital audio. One of the questions was whether...
I followed Hugh Robjohns' series, Practical Audio For Picture, with interest, and am planning to venture into writing...
I've just been reading Paul White's very useful article (SOS August 2000) replying to FAQs on digital audio. I am...
I have been avidly reading Paul White's book Creative Recording 2, which I'm finding very helpful. I am at...
My son picked up a Reslo ribbon mic at the local rubbish dump. It's set up like a studio mic — it's upright and...
I have just upgraded from a Power Mac 8100, using Digidesign Session 8 hardware and an 882 studio audio interface to a new...
Caught between TDM, MAS, DirectX and VST? Tangled up in virtual inserts and aux sends? Never fear! Resident Plug-in guru Paul White is here to answer all your most common question, and to help you get the most from software audio processing.
There's a new addition to Echo's well-established family of PCI recording interfaces, and it caters for recording guitarists and those mixing in surround for DVD production. Martin Walker has a date with Mona.
Paul White tries out Emagic's compact two input, four output USB MIDI interface.
Paul White evaluates the latest Logic Audio update and discovers that as well as a host of new features, Windows users also get a brand-new audio engine.
Paul Nagle tries out the update to this inexpensive controller for MIDI devices.
Fostex have broken a price-barrier in this section of the digital multitracker market, providing 16-track recording, editing and mixing within their new, compact VF16. Derek Johnson and Debbie Poyser discover whether it's too good to be true...
Sample & Hold modules, as explained last month, convert a continuously varying signal into a stepped series of fixed pitches. And this, as we shall see, is the basis of what we know as 'digital audio'...
Millennium Music are one of several UK companies who specialise in building PC systems to musicians' individual requirements. Martin Walker test-drives their service...
Paul White tries out a two channel compressor with tube 'warming' and optional digital I/O.