SOUND ON SOUND
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In SOS June '99 we reviewed the original Tascam CD‑D4000, a 2U CD duplicator capable of replicating complete...
Paul White tries out AKG's versatile new back-electret, fixed cardioid microphone.
Paul White tests Yamaha's new high-end CD recorder, featuring Apogee's acclaimed UV22 noise-shaped dithering technology.
Waldorf's Q keyboard workstation definitely suffered by being released to the public before its operating system was completely finished or bug-free. Gordon Reid takes advantage of the release of the new Q Rack module to revisit the operating system and see how it's come on...
SOS meets another reader in their home studio.
Dave Shapton explores copyright issues raised by new digital media and the effect of emerging technologies on the way that music is distributed.
Although 'Money' took new British R&B star Jamelia into the top 5 at the age of 17, her apparent overnight success was built on more than a year of hard work by producer Colin Emmanuel. Sam Inglis uncovers the story behind the single.
Danish company TC Electronic have been at the forefront in developing new and more realistic reverb algorithms. Most recently, they've been putting their energies into overcoming the particular problems associated with artificial reverb for surround sound. Thomas Lund, TC's Programme Manager, explains their approach to Paul White.
Veteran guitarist Carlos Santana's 1999 comeback album Supernatural has been a sales phenomenon in the US album charts. Richard Buskin spoke to engineer Glenn Kolotkin, whose association with Santana goes back to his classic albums of the '70s.
Whether your bag is pop, jazz, or classical music, or even if you just watch TV occasionally, you've almost certainly heard Richard Niles's work. Mike Senior talks to one of the most versatile men in modern music.
Wayne Rowley wishes that Windows was more musician-friendly and turns to BeOS as a possible alternative...
With Hinton Instruments' AudioCalc, your Atari can earn its keep helping out with essential computations in the studio. Derek Johnson finds it all adds up...
Now that so many plug-ins are available for free or cheap and easy download on-line, it's possible to build up an impressive arsenal of virtual effects without hurting your credit card. Martin Walker homes in on some of the most interesting products on offer for Mac and PC.
With the growth of digital television and affordable solutions for recording audio to picture, many musicians are keen to get into writing and recording for visual media. In this introduction to the series, Hugh Robjohns investigates basic working methods and suggests some system requirements.
Dave Lockwood explains why a Class A valve guitar amp that can muster a mere six Watts is fully deserving of a place in the pages of Sound On Sound.
This month, Martin Walker discovers some new VST instruments and helps you clean up your Registry.
There are now hundreds of software processing plug-ins available to PC musicians, but they come in various types and each behaves slightly differently. Martin Walker examines the various ways to install, manage and automate them, and the problems involved in managing presets.
The MacOS 9.0.4 updater is here — but will it suit everyone? Vic Lennard does a bit of pre-trouble shooting...
Can you believe it? This month Big George is temporarily lost for words.
Computer-based MIDI + Audio sequencers have been popular for several years now, but some people have never been entirely happy using a digital rodent to control their main recording hardware. John Walden looks for ways out of the mouse trap by using key commands in Emagic's Logic.