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If you're looking for 8-track hard disk recording in a hardware unit that behaves just like a tape recorder, but with all the benefits of digital recording, you owe it to yourself to check out the Vestax HDRV8. Paul Wiffen reminds you that you should never judge a book by its title.

The modest £399 price tag on Yamaha's latest dedicated reverb belies the quality and controllability the unit offers. Hugh Robjohns thinks it's up there with the best.

With so many low-cost recording products coming onto the market every month, you may be tempted to ask what, if anything, is to be gained by buying more expensive models. Paul White attempts to answer.

Christopher Fogel accepted an offer to mix an album by an unknown Canadian, and found himself caught up in the phenomenon that was Alanis Morissette. He tells Nigel Humberstone how he went about recording her without loosing the vibe and spontaneity.

Internationally renowned as a producer, recording engineer, and designer of audio equipment, George Massenburg is nonetheless is still in love with the art of music production. Dave Lockwood met up with him in Los Angeles.

Affordable compact and with magnetic shielding, the new Point Seven monitors are sure to cause a stir. Christopher Holder determines whether serious reference monitoring has taken another price dip.

With the advance of new technology, PC audio editors have finally reached the point where they can give Macintosh systems a run for their money. Janet Harniman-Cook investigates the possibilities.

Derek Johnson keeps the Atari flag boldly flying with news of a new Atari-based software-only synth, and also checks out a new shareware sample conversion utility...

Martin Russ puts the latest doom and gloom Apple news from the media into context.