
3G Mynah Plus
3G's new 4-buss Mynah Plus is not just a mixer — it also features built-in single-ended noise reduction. But does this lift it above the competition? Paul White finds out.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.

3G's new 4-buss Mynah Plus is not just a mixer — it also features built-in single-ended noise reduction. But does this lift it above the competition? Paul White finds out.

With a feature list longer than most people's arms, the EWS64 XL has whetted plenty of appetites. Martin Walker dismantles his PC once again in the search for the ultmate soundcard.

The latest addition to Lovetone's range of bizarrely named stomp-boxes is a surprisingly well-specified ring modulator. Will it sting Derek Johnson & Debbie Poyser into musical action?

Martin Walker discusses Windows 2000 and speeds up his Internet downloads.

June 20th saw Yamaha's world launch of the 02R at Air Lyndhurst Studios, London. Paul White spoke to Yamaha's engineers to get the lowdown on this appealing 8-buss digital recording mixer.

On an annual pilgrimage to UK Electronica, Jonathan Miller met with leading exponents of the electronic music genre. Lightwave, together with ex-Tangerine Dreamer Paul Haslinger, headlined the 1992 event in what proved to be an exciting collaboration.

It's certainly borrowed (for the purposes of this review), and it's unquestionably blue, but is it old or new? Synth Guidance Counsellor and long‑time K2000 owner Paul Ward checks out Kurzweil's VP makeover of this legendary workstation.

This inventive American has graduated from aiding and abetting producer Mitchell Froom in his sonic escapades to full production duties on a variety of live and studio albums. Paul Tingen talks to a devotee of binaural recording who's more than just a dummy head.

The Monty Python team once famously claimed that being able to play the flute was a simple matter of 'blowing here, and moving your hands up and down here'. But there's a lot more to it than that...

Swedish company Cwejman have recognised that there is no way to build a cheap semi-modular analogue synth for mass-market sale these days (if there ever was). Enter the premium, but meticulously crafted S1 MkII...

A new wave of dedicated DSP cards is helping computer musicians boost their plug-in power. The latest to appear is Universal Audio's UAD1, which offers recreations of vintage compressors as well as a high-quality reverb.

Most hardware devices you use with your PC require drivers — but what happens to them and their associated files when you change the hardware or update to new drivers? Unfortunately, they hang about in various locations, cluttering your hard drive and storing up problems for the future. We explain how to make a clean sweep and get rid of them once and for all.

Martin Walker advises manual dexterity, speeds up his internet experience, and finds yet more tweaks for Windows.

Sonic Implants extend their New World Symphony with an orchestral brass sample library.

Debbie Poyser and Derek Johnson fold up the cybermap, put the virtual surfboards back into storage, and conclude their musician's guide to the internet.

English electronic duo Mono are virtually unknown in the UK, but are in big demand in the USA, thanks to their single 'Life In Mono' being used as the main theme to the film of Great Expectations. US-based English writer Sam Molineaux talks technical to Mono's musical mainstay Martin Vergo, and provides the perfect perspective on the disparity between their British and Stateside success so far.

Norm Leete waxes lyrical about the mega-synth that introduced sampling to the world back in 1980 and went on to appear on innumerable hit singles and albums.

Atari's high flyer had top billing as the first ever personal multimedia system. Andrew Wright enters stage left to look at the claim.

Debbie Wiseman has been described as Britain's most prolific and emotionally charged film composer, with a long list of TV and cinema credits that belies her age, including the recent Oscar Wilde biopic.

Paul White experiences the delights of this all-digital, automated mixing environment where unwieldy cable harnesses and tiered patchbays are the thing of the past.