

To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.


There are lots of reasons to teach yourself the art of dub mixing. It's fun, it's creative, it puts your engineering skills centre stage — and it might even make you some money!

Build sophisticated multi-tap and modulated delay treatments using Reasons flexible devices.

In addition to his respected solo work, Roger Eno has been involved in collaboration with brother Brian and other musicians, and is now part of Channel Light Vessel, also featuring the talents of Bill Nelson, wind player Kate St John, and Zither player Laraaji. Paul Tingen talks to him about his many musical facets.

What exactly is a modular synth? How slow is a slow release? How can I wire my 32:8:2 analogue desk to a 16-track recorder? How can I compensate for a lack of phase-reversal and EQ bypass controls on my mixer? Why do some bass notes have more 'punch' than others? Is there a problem with inputs on the Roland VS2480? Should I buy a DI box or a channel strip? Should EQ or compression be applied first? What is the advantage of recording with a higher resolution, as opposed to a higher sampling rate? Can I run V-Producer via OMS?

Acclaimed producer Mike Hedges has filled his studio with equipment that is almost as antique as the ancient French chateau that houses it. Paul Tingen catches up with a man who's far from manic but quite ready to preach the virtues of analogue.

This month sees the return of iconoclastic composer, DJ and music industry commentator Big George to the pages of Sound On Sound — and you thought we'd sacked him for good...

Sonar 6's new 'channel strip' offers multiple routings that enable techniques such as parallel compression, frequency-conscious dynamics control and side-chaining.

SOS visits another reader's home/project studio.

Best known as the producer of some of the most important punk albums of the '70s and biggest dance hits of the '80s, Mike Thorne now runs his own label, multimedia company and studio in New York. Tom Flint talked to Mike about technology, his studio and the future...

This month, we explain how to eliminate phase problems in Cubase's Audio Editor, and round up some interesting new plug-ins.

Following on from our preview last month, we test-drive the new Logic Pro v7.1. Does it finally deliver what v7 promised?

In the summer of 1965, a new recording studio opened its doors in London's soon-to-be hip district of Chelsea. For a decade to come, this bijou ex-dairy would produce some of the finest British recordings of the era.

No, it's not the Naked Chef, just Sound On Sound getting busy in the kitchen to salvage some old tape recordings... Note: there are no audio files accompanying this article

For his third album with Shania Twain, reclusive production legend Mutt Lange introduced an ambitious concept: different mixes and instrumentation for different markets. And as engineer Bob Bullock found, even the 'country' version left Nashville and its conventions pretty far behind...

Cadac’s large-format consoles are legendary in touring theatre circles, but their Live 1 range aims to clean up in the compact-mixer market...

When The Beatles' record company tempted their producer out of retirement for one last project, no-one had any idea how radical the resulting album would be.

We all want our software to be fast and responsive, and there are simple things that can be done to enhance Logic's performance in this respect. Our guide shows you how.

Emagic have launched two new classic keyboard emulations for Logic. We test them out.

This new mixer caters for those who found TL Audio's M3 too small, and the flagship VTC too big. But is the M4 just right?