SOUND ON SOUND
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Part 1: The V-Synth repackaged Roland's groundbreaking Variphrase technology, creating a powerful new kind of sample-based synthesis. Now there's a rackmount V-Synth, and (as you'll discover in Part 1 of our two-part review) it's more powerful than the first...
Paul White tests a mic that's outstanding in its field — without going out and standing in a field.
Acclaimed producer Mike Hedges has filled his studio with equipment that is almost as antique as the ancient French chateau that houses it. Paul Tingen catches up with a man who's far from manic but quite ready to preach the virtues of analogue.
Bored with ordinary commercial studios, The Cure decided to cut loose for their latest album, and set up their latest recording facility in a Tudor house in the country. Nigel Humberstone visited the band on location to discuss the technology that made the move into the country possible, and the group's working methods.
Miriam Stockley is one of the premier session singers in the UK; but it's taken her until now to record an album of her own. She talks to Sue Sillitoe about recording the album in her new home studio.
We try out Akai's first synth in absolutely ages — and discover a monster in sheep's clothing.
GEM have made all kinds of keyboards, from organs to home keyboards to synth workstations. Their latest incorporates physical-modelling technology, samples of famous instruments, effects, and plenty of real-time control options to form a 320-note polyphonic monster.
Sheryl Crow's rise to the top has seen her use — and lose — the talents of a lot of people behind the glass, from world-famous producers to unknown songwriters.
Novation have squeezed the innards of their successful BassStation analogue bass synth into a 1U rackmount model, throwing in some handy new features along the way. Jonathan Miller gets lost in bass...
These days, samplers are the electronic musician's bread and butter — but they need not be used in commonplace ways. In the first part of a short series, Nicholas Rowland looks at ways to spice up your tracks with samples from unusual sources.
In 1995, Yamaha's Promix 01 smashed everyone's preconceptions of how much a digital mixer should cost. Now the new 01V is changing the rules again, offering features more akin to those of the three-grand 03D than the Promix 01 — and it cost £500 less than the Promix did when launched!
After releasing their Remote 25 MIDI controller keyboard, Novation released the Remote Audio 25, rapidly following it with the Remote Audio 25 Xtreme. Now, the X-Station has replaced both of these. Can we disentangle it from its convoluted beginnings?
The Vetta II amp range embodies the most sophisticated implementation of Line 6's guitar amp modelling technology to date. It delivers more amp models than the original Vetta, offers more user control of the sounds, and it also features an optional digital interface for use with the Variax Digital Modelling Guitar. Second opinion by former Be Bop Deluxe guitarist Bill Nelson.
British company Red Sound Systems are known for their innovative DJ products. Now, in the shape of the Dark Star, they've produced their first synthesizer. Wing Commander Paul Farrer warms up the engines and takes it out on its maiden flight.
We finish our in-depth examination of Korg's new mega-workstation, taking in the remaining synth engines, the sampler, the KARMA algorithms and the onboard sequencer, and draw our conclusions about it...
Simon Lowther introduces the clan of classic American analogue synths, the Oberheim OBs.
As the popularity of the ADAT optical 8-channel digital interface has grown, so PCI soundcards have appeared to transfer audio into this format and out of computers. Previous cards have included one optical connector, but Sonorus's STUDI/O has two, permitting 16-channel operation. Martin Walker makes light work of his optical cables.
The SOS team drop in on another reader studio, this time in the form of a radio station!