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This month: Amazing Thailand **** • LA Riot V ***** • WEP ***** • White Grand ****.
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This month: Amazing Thailand **** • LA Riot V ***** • WEP ***** • White Grand ****.
Most people knew that Gary Barlow was the songwriting force behind boy-band stars Take That, but his long-term interest in production and recording is less well documented. Now recording and co-producing his second solo album, he looks set to put the memory of his former band far behind him. Matt Bell pays him a visit at his impressive home studio.
Over three years, Towering Inferno (led by core duo Andy Sanders and Richard Wolfson) engaged the services of over 50 performers to produce their self-financed opus Kaddish — described by Brian Eno as " the most frightening record i have ever heard!" peter jones charts the development of this ambitious project.
In his first interview since winning the coveted 'Best Producer' award at this year's Brits, John Leckie joins Mark Cunningham in Abbey Road Studio 2 to discuss his 27-year career and the making of Cast's new album, Mother Nature Calls.
The SH201 — a versatile new modelling synth from Roland or a cash-in on past glories? Let's find out...
Debbie Wiseman has been described as Britain's most prolific and emotionally charged film composer, with a long list of TV and cinema credits that belies her age, including the recent Oscar Wilde biopic.
Ultrabeat has powers beyond simple drum pattern creation, offering a synthesis section that's the key to more varied percussive sounds and rhythmic effects.
The addition of woodwind and percussion libraries rounds out Sonic Implants' Complete Symphonic Collection, bringing their three-year symphonic project to a close.
There are now lots of different ways to make a stereo master recording of your final mix, so how do you work out which one is best for you?
The distinctive hard-edged sound of The Young Gods owes much to current sampling technology. Nigel Humberstone investigates.
Frank Zappa produced a vast amount of recorded material during his career, often pushing both his musicians and the technology of the day to extremes. The task of editing, mixing and archiving these recordings is being undertaken by his son Dweezil, with the help of some cutting-edge computing hardware.
Is Native Instrument's new stand-alone soft synth as big as they say it is?
A new Massive Attack album is always an event, and this year's 100th Window was perhaps the most eagerly anticipated yet. Like its predecessor Mezzanine, it was co-produced and co-written by Neil Davidge.
After a period of record company hassles, Coldcut are back with a new album, a new singer and a new style. Wilf Smarties explores Philosophy with Jonathan More.
Steinberg's VST Instrument technology allows software synths to be fully integrated into any VST 2.0-compatible host software, such as Cubase VST. The first major releases to arrive are both recreations of established analogue classics. Martin Walker tries them out.
Synthogy's Ivory goes where no virtual piano has gone before, sampling three full-size grand pianos to form a detailed library more than 30GB in size — and all-in-one £189 plug-in!
For over a decade, Nainita Desai has earned her living designing sounds and composing for film and television. She speaks about her experiences in the industry, and explains what opportunities there are for newcomers who want to get their foot in the door.
Lexicon's latest hardware reverb is designed to be as easy to control from your computer as a plug-in.