
GUY SIGSWORTH: Music After MIDI
What's the connection between Madonna and Stockhousen? Sam Inglis meets a producer who puts the 'art' into chart music...
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What's the connection between Madonna and Stockhousen? Sam Inglis meets a producer who puts the 'art' into chart music...
Transatlantic number one Just Dance was not only a breakthrough for Lady Gaga, but also for her producer RedOne and mix engineer Robert Orton.
If you want to get your hands on the latest VST Instruments and Plug-in effects, but don't fancy having a PC in your studio, Muse Research's Receptor could be the answer.
A dodgy snare recording was just one of the problems facing Rob O'Neil at the mixdown stage, so the SOS dynamic duo (Paul and Hugh) visited his home studio to help him sort things out.
Steinberg and Wizoo's latest collaboration aims to provide high-quality string sounds at an affordable price, with a software interface to make string arranging so easy that even drummers can manage it. Have they succeeded?
Music software companies have warned us about the effects of piracy since the dawn of history; but are we now starting to see the results as smaller companies become absorbed into larger corporations?
Pulse-width modulation is a vital tool in achieving lush-sounding synthesized string pads — so what if your synth doesn't have it? Fear not, for PWM can itself be synthesized. Here's how...
Ken Freeman couldn't afford a Mellotron to play his string parts, so he invented a new kind of electronic instrument. But though the world would eventually embrace string synthesizers with a passion, he never got the credit he deserved.
Is Native Instrument's new stand-alone soft synth as big as they say it is?
Think your own music is good? Listen to these tracks from SOS readers and see whether you agree with the good Doctor's prognosis...
This month, Dave Rogers' dance track gets a dose of production 'fairy dust'. Use the SOS Music Player to audition the changes.
Mixing music might seem like a black art, but here's a simple approach to help the newcomer get their tracks together.
When sequencers first allowed you to record musical notes in real time, one of the features that became ubiquitous in all systems was quantisation. Here we take a look at how quantise has evolved and is currently used in Cubase SX.
Owners of Sound Tools II digital editing systems can now have access to sophisticated techniques for reducing noise on recordings - thanks to the DINR intelligent Noise Reduction software. Paul White loads it up and looks for a quiet life...
Getting precisely the results you want from compressors can often be the key to a tight, modern-sounding mix. We explain what the controls are designed to achieve and how they relate to what you hear.
Sample and loop libraries have come a long way from being delivered on a humble audio CD — the most recent trend is to include a specific playback front-end for easy integration with your sequencer.
Sonic Implants extend their New World Symphony with an orchestral brass sample library.
It's not often you encounter plug-ins that combine detailed emulations of analogue classics with a wealth of new tricks, but Sound Toys' Native Effects do just that.
Producers Stock, Aitken and Waterman developed a massively successful formula for making pop records — and the story of Rick Astleys 1987 smash hit, Never Gonna Give You Up, is a perfect guide to the SAW assembly line...
With the recent re-release of Loops & Reels, plus a new live album, Peter Hammill found time to talk to Paul Tingen about obscurity, crudeness, ADATs, and their place in his music today.