SOUND ON SOUND
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Mindprint have overhauled the electronics in their popular valve recording channel, and have also added extra facilities and an optional USB recording and monitoring interface.
Paul White tests a mic that's outstanding in its field — without going out and standing in a field.
Granular synthesis is the core technology behind the latest time-stretching and pitch-shifting algorithms, but it can also be used to generate extraordinary evolving soundscapes. We explain how the process works and show you how to get the best from the software that uses it.
As the car ad says, "size matters!" and AVI have proved the point with their biggest loudspeakers yet, the Gravitrons. AVI say they're built 'without compromise' and 'regardless of cost'. Hugh Robjohns will see about that...
Paul Wiffen concludes his investigation into reliable means of audio interfacing on new-style Macintoshes when the traditional PCI card route is not available to you. This month, he tests two more USB audio-only interfaces, and reaches some definitive conclusins about Tascam's US428 MIDI and audio interface.
Elektron maintain their reputation for producing unusual, innovative instruments with the bizarrely shaped Monomachine; it features six types of synthesis engine, a versatile sequencer, and effects. Is it refreshingly original, or a step too far?
Akai's MPC sampling workstations have been a studio fixture for nearly 15 years, and the MPC4000 is the most powerful one yet. But the world of sampling has changed dramatically since the MPC2000XL was released. Can an MPC still cut it in the 21st century?
Although the Ion is already well-respected for its sound quality, its synthesis architecture is also surprisingly flexible. We show you how to get the best from this little beast in your studio.
RME's DIGI range of soundcards offers comprehensive cross-platform support, high audio quality and lots of extras, such as digital format conversion.
Take the sound engine of the acclaimed JV1080/2080, add the data from three expansion boards (plus space for two more), a 5-octave keyboard arpeggiator, 40 multi-effect algorithms and four real-time control sliders and what do you get? Paul Farrer turns (XP)30...
Tascam revolutionised home recording with their cassette-based Portastudio, but haven't yet offered a budget digital version to compete with the Fostex DMT8/D80 and Roland VS880. Now their 4-track MiniDisc-based 564 is almost ready. Paul White gets a sneak preview...
This is the smallest and least costly reverb unit Alesis have ever produced. Paul White finds out whether you can mind the quality and still feel the width!
Yamaha' s cutting-edge reverberation processor uses convolution techniques to sample the ambience of real acoustic environments, allowing extremely accurate simulations.
MOTU's range of PCI audio interfaces is based around a single PCI card, with three different rackmounting units offering combinations of analogue and digital I/O.
We check out: Amps & Pickups 2 **** • Post-Estonia Grand Piano **** • Brush Artistry **** • Distoteque **** • Tower Of Funk *** • Post Orchestral Instruments ***
In the spring of 1987, Mark Cunningham took on the most bizarre project of his musical career: re-recording The Beatles' Sgt Pepper's Lonely Hearts Club Band. Ten years later, as we celebrate the 30th anniversary of the original album, Mark revisits his curious sessions.
Commercial singles and albums are incorporating ever-more-sophisticated interactive audio and visual content, often using the Enhanced CD format. Janet Harniman-Cook starts this two-part feature with a look at how the format is being used by record companies, and the possibilities that are open to independent musicians.
Getting the best performance from a digital tape recorder such as the DA88 depends largely on conscientious maintenance and cleaning. Tascam's chief service manager, Joe Fialho, tells Paul White what can safely be done by the user — and when it's necessary to call in the professionals.
Is it a home organ-style keyboard? Is it a real synth? Is it a complete crock? Paul Ward explores the Korg Sigma, an instrument with a serious identity crisis...
The new PC interfacing standards of USB and Firewire brought with them the promise of 'hot-plugging' and easy interconnection. But some musicians have discovered, to their cost, that the reality doesn't always live up to the promise. We investigate...