
JoeMeek VC2
Paul White checks out the first tube product in the JoeMeek range.
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Paul White checks out the first tube product in the JoeMeek range.

Many home recordists hope to perfect their productions by undertaking their own mastering on their studio computer. However, few seem to achieve the classy results they're after. So how much can you realistically achieve by going it alone, and what techniques will deliver the highest-quality results?

It's a MIDI patchbay! It's a MIDI data filer and player! It's a sampler playback unit! It's... impossible to sum up in a few words. Martin Russ is delighted to make the aquaintance of the grand seigneur of all MIDI file players.

Millennium Music are one of several UK companies who specialise in building PC systems to musicians' individual requirements. Martin Walker test-drives their service...

Looking to experiment with surround sound but on a tight budget? This new system could provide the opportunity you've been looking for.

David Ferguson has worked his way up from sampling hoovers on tape to an enviable position as a highly sought-after TV composer. Debbie Poyser & Derek Johnson discovers how he managed it, and find out his views on the way the music-for-TV industry is developing.

Number one UK hit 'Whole Again' took Atomic Kitten from the girl-band niche to a universal audience, and made an impressive first single release for co-writers and co-producers Bill Padley and Jeremy Godfrey. Sam Inglis hears the story.

Mackie's new entry-level hard disk multitrack gives you all the convenience of hardware, but also allows you to transfer tracks to your computer via USB for more detailed editing and mixing.

TC's flagship reverb processor, based on the System 6000 hardware, combines 16 channels of world-beating processing with flexible and lightning-fast operation.

Paul White raises the tone of his studio by plugging in TL Audio's latest Crimson series parametric EQ.

Nigel Shaw isn't signed to a record company, yet sales from the multiple albums he's produced in his home studio enable him to make a good living from his talents. Paul Tingen talks to him about the business of independent music

Last year saw the proliferation of reliable, fully-featured MIDI + Audio sequencers for the IBM-compatible PC — packages which were previously the preserve of the Apple Macintosh platform. Janet Harniman-Cook takes a look at the three top PC programs in the field to see how their facilities compare.

Computer-based MIDI + Audio sequencers have been popular for several years now, but some people have never been entirely happy using a digital rodent to control their main recording hardware. John Walden looks for ways out of the mouse trap by using key commands in Emagic's Logic.

A versatile and cost-effective modular system which can cater for stereo and surround monitoring in both nearfield and midfield applications.

This new front end from Roland combines two high-quality analogue mic preamps with digital EQ, dynamics, and physical modelling effects. Plus, you can choose to control it from its front panel or from a computer via USB.

Roland's impressive range of 'next generation' instruments have seen the company share a number of new technologies across a wide range of products. The latest of these is the VA7, an arranger keyboard which incorporates their revolutionary Variphrase technology. Paul Farrer makes arrangements...

Paul White provides some practical tips for achieving better recorded bass guitar and bass synth sounds.

Astonished by the speed of software development, Martin Russ wonders where it's all leading... MOTU Digital Performer.

Cubase SX 3 is the latest incarnation of one of the best-known brands in sequencing software, offering many new features and tying up the loose ends from previous generations of Cubase. But with increased competition, most notably from Apple and Cakewalk, can Steinberg maintain their cross-platform advantage?

Emu's eye-catching new Command Stations repackage the sounds of their MP1 and XL1 sound modules, adding hands-on sequencing and real-time controls. Can the company win fans with these late entries to the groovebox market?